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Geneze raných etnologických teorií a metod

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In the post-Baroque era, science in the developed states of Europe gradually turned from theological scepticism to practical goals. The growing interest in the search for new sources of wealth resulted in the policy of mercantilism that developed in European powers from the Baroque period to the 1830s; this policy directly affected the nature of scholarly research, and in non-colonial states, it focussed, in the form of cameralist system, on the development of state administration and the improvement in and exploitation of economically marginal or directly poor regions. In connection with the Enlightenment ideal of a harmonious society, states aimed at a functional normalisation of relations among individual social strata; the scholarly interest, in the primary pursuit of economic and developmental objectives, focusses for the first time on folk culture, providing valuable reports on it and, last but not least, contributing to the popularization of its selected segments, with which Romantic philosophy as well as anthropology subsequently worked; in the period under study, anthropology was rather a natural science dealing with human evolution, including related cultural expressions. The aforementioned factors brought about the first ethnographic monographs applying the theories and methods that formed the basic building blocks of the future independent discipline; the treatise observes their development up to a noticeable ideological breakthrough in the pre-March period.
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In the first third of 19th century the romantic movement inspired interest in folklore. Folk art was collected, published and reworked by professional artists, especially as concerned epic folklore genres. Authentic legends, published in Vienna by Alois Mednyanský, include a romantic novella in a remarkable way utilising a folklore theme from two different European cultures. The study traces and analyses the folklore theme used for the story and tries to reconstruct the path through which the theme from the remote Scotland reached Mednyanský. The novella intentionally creates an impression to be a historic legend set in the times of Hussite wars, being interlaced with strongly pro-Catholic criticism of the period happenings. The story adopts the character of the Bohemian sorcerer called Žito 74 and uses elements of Moravian life and institutions. A Moravian patrician in the role of a romantic pilgrim sets off for a dangerous journey with a tragic end. The description of Scottish life documents profound knowledge and understanding of Scottish legends and local names by the author. In addition it documents period fascination with Scottish history. Past of the novella analyses the ritual of taghairm nan caht - its variants and functions in the traditional Gaelic culture - its description is the literary apogee of the novella and was probably taken over from the London paper The Literary Gazette.
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