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Starożytne źródła koncepcji harmonii sfer

100%
Konik M., Karcz B., Tyrała R., Zając A., Delimat W., Janicki J. J., Malik J., Sterczewska L., UPJPII i., Pasek W., Karcz B., Malik J., Sterczewska L., UPJPII i., Pasek W.
Pro Musica Sacra
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2012
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vol. 10
EN
The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musica mundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most influential cosmological concept. One of the most striking results of this situation is the fact, that for many ages (during mediaeval era) music was regarded as a scientific discipline, despite its aesthetical dimension.
PL
The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musica mundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most influential cosmological concept. One of the most striking results of this situation is the fact, that for many ages (during mediaeval era) music was regarded as a scientific discipline, despite its aesthetical dimension.
2
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“Heritage of Polish Music in Open Access”: digitalising and cataloguing Wawel music collection

100%
Konik M.
Pro Musica Sacra
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2021
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vol. 19
131-136
PL
W 2019 roku dzięki umowie o współpracy pomiędzy Uniwersytetem Papieskim Jana Pawła II, Archiwum Krakowskiej Kapituły Katedralnej oraz Narodowym Instytutem Fryderyka Chopina został rozpoczęty proces digitalizacji oraz opracowania kolekcji muzykaliów wawelskich. W ramach projektu „Dziedzictwo muzyki polskiej w otwartym dostępie” wykonywana jest digitalizacja kolekcji, jej opracowanie w bazie RISM oraz tworzone są cyfrowe edycje wybranych utworów. Digitalizacja, katalogowanie oraz wykonanie edycji cyfrowych repertuaru wawelskiego pozwoli w przyszłości nie tylko na dokładniejsze poznanie tej bezcennej kolekcji, ale otworzy zupełnie nowe, niedostępne wcześniej możliwości badawcze.
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