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ZUR METAPHORISCH-DISKURSIVEN WIRKLICHKEIT IN JOSEF HASLINGERS ROMAN „OPERNBALL“

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Mikulášová A., Mikuláš R.
World Literature Studies
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2020
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vol. 12
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issue 2
26 – 39
EN
Among linguistic devices, metaphors influence our thinking and acting in a crucial way. They determine what we see and what we hide from our perception area. We primarily perceive and communicate what we have schemes for (concepts and models), but there is a wide range of perceptions that can only be adequately communicated through metaphors. On the basis of crime novels, we deal with these certain areas, which are occupied by comparison and analogies of all kinds, focusing on contents and aspects that are increasingly taken into account in this genre. We investigate the question of how key aspects of crime fiction, i.e. aspects that are associated with phenomena of crime, as well as aspects of social criticism are metaphorically conceptualised in the crime novel. Metaphors related to the phenomena of crime are also taken into account. “Opernball” is a media-critical political thriller with a multi-perspective narrative structure and a socio-critical crime novel by Austrian novelist Josef Haslinger, which draws a socio-political Picture of Austria from the mid-1990s. Based on the analysis of the metaphor in Haslingerś novel, we have located, interpreted and evaluated numerous metaphors in the following major areas: media, culture politics church/religion, individual and community/society.
2
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WIRKLICHKEITSKONSTRUKTION DURCH METAPHERN BEI INGEBORG BACHMANN

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Mikulášová A., Mikuláš R.
World Literature Studies
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2018
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vol. 10
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issue 3
47 – 67
EN
In the self-description (in letters or in dream notes, and in the novel Malina and two novel fragments from the project “Todesarten”) it is observed how those elements of reality that literally embody or specifically indicate a problem are metaphorically conceptualized – in this case, the traumatic experience from relationships (Bachmann explicitly speaks of insults) and Bachmann’s resulting psychic injury. Accordingly, the development of metaphors in the self-descriptions or self-portrayals of the author and her female protagonists is also examined. The development of the metaphors in the projection and introspection of letters and dream notes and in the selected texts of the project “Todesarten” indicates a system of states of one’s own that have an effect on the cognitive system, or to which the author is repeatedly thrown back (according to Georg Groddeck). In this sense, a self-therapeutic effect cannot be denied. Subsequently, a metaphorical structure should be recognizable, which lay in the shape of a network over the texts to be examined.
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VON DER AUFLÖSUNG DER PERSON: DAS SELTSAME PROBLEM DER PERSONALEN IDENTITÄT IN NEUEREN DEUTSCHSPRACHIGEN AUTOPATHOGRAPHIEN

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Mikuláš R., Mikulášová A.
World Literature Studies
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2023
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vol. 15
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issue 4
33 – 49
EN
Texts from the field of autopathography are close to the professional discourse of the medical sciences and offer alternative ways of conceptualizing and thinking about illness. The recent autopathographic works that are analysed in this article describe illnesses that are no longer evaluated as consequences of social developments, as was usually the case in the “new interiority”; rather, pathologies are interpreted as part of an individual life. Since the associated experiences and the consequences of the disease are serious for the individual life, the question of personal identity is often raised. The question of self is always relevant when people who express this question do not know or no longer know who they are (or have become), or when they no longer have a sense of unity. This concerns not only external orders (i.e. uprooting of any kind), but also internal disruption. These insecurities are thus the trigger for questions about identity that are posed in the analysed texts.
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