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Jak czytano polski romantyzm – geneza "Wielkiej Improwizacji"

100%
Puchalska I.
Świat Tekstów. Rocznik Słupski
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2010
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issue 8
85-97
EN
The article presents an exceptional status of The Great Improvisation as an autonomic part of Forefathers, part III. The author shows different reasons for distinctiveness of this monologue such as the legendary circumstances in which it was written, autobiographical elements of the drama itself and the way in which different historical documents and analysis of manuscripts were used to create and refute various interpretations.
2

Poezja, muzyka i sumienie. O Lukanie w Koronacji Poppei Giovanniego Francesco Busenellego i Claudio Monteverdiego

100%
Puchalska I.
Roczniki Humanistyczne
|
2019
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vol. 67
|
issue 1: Literatura polska
163-179
PL
W artykule rozpatrywana jest funkcja Lukana w strukturze dramaturgicznej Koronacji Poppei. Poeta, postać epizodyczna, okazuje się w głębszej analizie istotnym elementem w rekonstrukcji zaplecza ideowego dzieła Busenello i Monteverdiego. Służy temu lektura kontekstowa libretta opery w dwóch zasadniczych aspektach – biograficznym i literackim, w oparciu o dwie grupy związanych z Lukanem źródeł tekstowych – pierwszą, na którą składają się informacje na temat jego życia i twórczości, i drugą, jaką stanowią jego własne utwory. Szczególną uwagę poświęcono analizie Farsalii, poematu wykazującego na poziomie ideowym liczne pokrewieństwa z librettem Busenella. Szczegółowa analiza kontekstów literackich uwidacznia również autotematyczny aspekt sceny z udziałem Lukana oraz pojawiające się w związku z nią kwestie moralnych aspektów twórczości poetyckiej.
EN
The article discusses the role of Lucano in the dramatic structure of The Coronation of Poppaea. After a deeper analysis, the poet, an episodic figure, turns out to be an important element in the reconstruction of the ideological background of the works by Busenello and Monteverdi. This is achieved by context reading of the opera libretto in two fundamental aspects – biographical and literary, based on two groups of textual sources related to Lucano – the first consisting of information about his life and work, and the second, which is his own works. Particular attention was paid to the analysis of Farsalia, a poem that shows numerous ideological affinities to Busenello’s libretto. A detailed analysis of literary contexts also reveals the self-thematic aspect of the scene with Lucano’s participation and the moral aspects of poetic creation that emerge in connection with it.
3
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„Majsterkowanie” Mozartem. Dziadów część III a Don Giovanni

100%
Puchalska I.
Wielogłos
|
2007
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vol. 1
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issue 1
PL
TINKERING WITH MOZART: DZIADY PART III AND DON GIOVANNIThe essay is devoted to a very specific and interesting example of intersemiotical link between the scene of the Senator’s ball in the third part of „Dziady” by A. Mickiewicz and „Don Giovanni” by W. A. Mozart. Analysis of some elements of the opera included by Mickiewicz in his text, in the way of ‘bricolage’, leads to the conclusion that the similarities in both compositions are not restricted to the construction level, but they also seem to have ideological consequences which have an impact on the overall force of the work by Mickiewicz. Its connection with Mozart’s and da Ponte’s work, even if visible in just a few parts of „Dziady”, is a guide to the simultaneous reading of both texts. This read develops their interpretation and understanding as well as expresses the idea of providence present in Mozart’s and Mickiewicz’s masterpieces.
4
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Improwizacja w perspektywie korespondencji sztuk, czyli o romantycznych wierzeniach

100%
Puchalska I.
Wielogłos
|
2010
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vol. 1
|
issue 7-8
PL
Improvisation through the perspective of correspondence between the arts, that is on the romantic beliefs The article is devoted to the phenomenon of improvisation which is a characteristic aesthetic feature of the Romantic culture. Many nineteenth century artists regarded it as an embodiment of the issues that were of key importance for their period – among them, one finds the concept of genius or correspondence between the arts. On a few examples taken from the works of Chopin, Mickiewicz and Orłowski, the author reveals both the ways and the conditionings of the reception of the improvisory works, as well as the relations between the Romantic myth of improvisation and its artistic practice.
5
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Teatr cieni: „Wieczór w Teatrze Wielkim” Stanisława Balińskiego

100%
Puchalska I.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2022
|
issue 42
121-136
EN
The text is devoted to an emigration poem by Stanisław Baliński, A Night at the Grand Theatre (1943), in which the Warsaw opera became a synecdoche of the pre-war Warsaw, and the entire poetic structure is built as a kind of virtual stage on which special characters appear and perform their roles. This text is an interesting contribution to the research on the influence of the imaginarium of the musical theatre on the imagination of twentieth-century poets, and at the same time performs a specific functionalisation of the operatic character – in several meanings of the word.
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