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EN
This essay is a representative excerpt from Jacques Rancière’s book Le Partage du sensible. Esthetique et politique (eng. The Politics of Aesthetics: The Distribution of the Sensible) – one of the most significant books concerning relations between art and politics, in which Rancière systematically and comprehensively formulates the basis of his aesthetic theory, from the definition of the main title notion, through account and analysis of the three main regimes of art, to the reflection on the relations between the artistic creation and labor (where he refers to young Marx). Taking into account the general profile of “Panoptikum” we decided to publish the fragment on mechanic arts.
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