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Zagadki Spitamegeranomachii, czyli o komentarzu edytorskim do poematu Jana Achacego Kmity

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Goszczyńska A.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2019
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vol. 53
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issue 2
231-242
EN
The paper Editorial issues of “Spitamegeranomachia” by Jan Achacy Kmita is a piecemeal report on the work on the two-part publication “Spitamegeranomachia” of Jan Achacy Kmita – edition..., which appeared in the journal “Meluzyna. Dawna literatura i kultura” (2017). The new edition of the poem was based on the first print (1595) and its nineteenth-century re-edition (1897). The editorial contributions of Aleksander Brückner and Jacek Sokolski were also used. The article illustrates the difficulties that were overcame during the commenting of the text and indicates at the same time the lack of the poem’s more extensive study of the genre structure in the known literature. It is qualified as a heroicomic but also as an allusive or satirical-political poem.
PL
Artykuł Zagadki edytorskie „Spitamegeranomachii” Jana Achacego Kmity jest wyrywkowym opisem prac nad dwuczęściową publikacją „Spitamegeranomachia” Jana Achacego Kmity – edycja…, która ukazała się w czasopiśmie „Meluzyna. Dawna literatura i kultura” (2017 r.). Nowa edycja poematu opierała się na pierwodruku (1595 r.) i jego XIX-wiecznej reedycji (1897 r.), spożytkowano też przyczynki edytorskie Aleksandra Brücknera i Jacka Sokolskiego. Artykuł obrazuje trudności pokonane w trakcie komentowania tekstu. Wskazuje się jednocześnie na brak obszerniejszego opracowania struktury gatunkowej poematu: kwalifikowany jest on jako heroikomikum, ale też jako poemat aluzyjny lub satyryczno-polityczny.
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Pole leksykalno-semantyczne nazw kolorów jako obiekt przekładu (na przykładzie utworu „Pan Tadeusz” Adama Mickiewicza i jego tłumaczenia na język rosyjski Światosława Świackiego)

100%
Goszczyńska A.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
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2014
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issue 4
61-70
EN
The present article analyzes the translation of the lexical and semantical field of color-naming (on the basis of Adam Mickiewicz’s Pan Tadeusz and its Russian translation by Światosław Świacki). The analysis focuses on the contexts in which the words denoting the semantics of colors function. The lexical and semantic field of color-naming has been characterized and divided into sub-fields (representatives sub-fields for chromatic and achromatic colors have been distiguished as well as the color-naming words have been divided according parts of speech). The main part of the paper  is devoted to the analysis of translating tools used by Światosław Świacki in order  to refelct the semantics of colors in the translation.
RU
The present article analyzes the translation of the lexical and semantical field of color-naming (on the basis of Adam Mickiewicz’s Pan Tadeusz and its Russian translation by Światosław Świacki). The analysis focuses on the contexts in which the words denoting the semantics of colors function. The lexical and semantic field of color-naming has been characterized and divided into sub-fields (representatives sub-fields for chromatic and achromatic colors have been distiguished as well as the color-naming words have been divided according parts of speech). The main part of the paper  is devoted to the analysis of translating tools used by Światosław Świacki in order  to refelct the semantics of colors in the translation.
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