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The Polish film press in the first half of the 20th century (1913-1939) tried to find its place in the Polish publishing market. Inspired by film thought and still developing Polish and global cinematography, the Polish press wanted to uphold true art. However, the times of censorship, interference of state authorities, fragile publishing politics, and omnipresent commercialism have all strongly influenced the history of the Polish film press. The article mainly presents the history and characteristics of film journals, dividing them into those loyal to the art of cinematography, as well as those that have been commercially influenced by film in general. It describes their profiles, forms, language, as well as editorial policy of individual editorial offices used to get valuable readers.
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