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La rusałka è un’ondina? Sulla traduzione italiana dei nomi delle creature fantastiche in Andrzej Sapkowski

100%
Amenta A.
pl.it / rassegna italiana di argomenti polacchi
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2020
|
issue 11
46-65
EN
The paper aims at analysing the techniques used in the rendition of the names of supernatural, mythological, and fantastic creatures in the Italian translation of The Witcher saga by Andrzej Sapkowski. After presenting the role played by different classes of names in the creation of an imaginary world based on intertextual procedures, the author identifies eight recurring techniques: borrowing, calque, recognised translation, generalisation, normalisation, lexical recreation, substitution, and omission. The paper shows that though the translation of Sapkowski’s series combines a foreignising and domesticating approach, naturalisation prevails in the rendition of Slavic elements, supplying the reader with a more “international” setting derived from a wide use of replacements and hypernyms.
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Hanna Ratuszna, Trwam, jestem, czuję cudnej zgody sprzeczność. O twórczości Maryli Czerkawskiej, Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, Toruń 2014, pp. 186

100%
Amenta A.
pl.it / rassegna italiana di argomenti polacchi
|
2017
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issue 8
259-261
3
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Krystyna Jaworska, Massimo Maurizio, Roberto Merlo (a cura di), Il canto l’incanto il grido. Tre poetesse dell’Europa centro-orientale, con testi e traduzione a fronte, Stilo Editrice, Bari 2017, pp. 184

100%
Amenta A.
pl.it / rassegna italiana di argomenti polacchi
|
2018
|
issue 9
226-229
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