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(Niebyła) debata o (nie)dojrzałości kultury: Karol Irzykowski wobec Tadeusza Boya-Żeleńskiego

100%
Chmurski M.
Wielogłos
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2015
|
issue 4(26)
PL
A debate on cultural (im)maturity (that didn’t take place): Karol Irzykowski and Tadeusz Boy-żeleńskiThe article proposes an analysis of Karol Irzykowski’s Benjaminek (Benjamin, 1932), a stud and an attack on Tadeusz Boy-żeleński’s activity and writings as well as the reaction of the criticized author. The former’s work reveals to be rather an extensive defence of Irzykowski’s critical writings, and the latter’s answer – a pamphlet. Finally, their dialogue that didn’t take place is situated in the context of Polish (and Central-European) cultural immaturity.
2
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Trans/figuracje nowoczesności? Spory o twórczość Marii Komornickiej-Piotra Odmieńca Własta

100%
Chmurski M.
Poznańskie Studia Polonistyczne. Seria Literacka
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2015
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issue 26
131-150
EN
The article is a reflection of how the work by Maria Komornicka (pen name Piotr Odmieniec Włast) was perceived in the past two decades on the basis of an analysis of a monograph by Edward Boniecki (1996), Izabela Filipiak (2006) and Brigitta Helbig-Mischewski (2010) in the context of changes in the interpretation of modern Polish literature. In the article, attention is drawn to three groups of issues which can only be identified on the basis of contemporary perception, incomplete as it is, due to the fact that all the works of Komornicka have not been published. The forms and meaning of broadly defined autobiographical writing has been re-defined, while Polish and regional literary modernism has been revised together with the involvement of literary researchers in the subject of their analyses. The author of the article suggests a schematic differentiation between updating, prospective and retrospective strategies in Komornicka’s work and a reflection on the indirect involvement in social and cultural discourses and discussions developed by contemporary researchers into Komornicka’s work.
3
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Błądzenie Gézy Csátha: między autobiografizmem, fikcją a autoanalizą

100%
Chmurski M.
Autobiografia. Literatura. Kultura. Media
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2019
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vol. 13
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issue 2
73-85
EN
The article scrutinizes how autobiographism, fiction and autoanalysis crisscross in the psychoanalytical study Elmebetegségek psychikus mechanizmusa (On the psychic mechanisms of mental illnesses) by the Hungarian writer and psychiatrist Géza Csáth (1887–1919) in the light of his diary and Carl Gustav Jung’s doctoral thesis.
PL
W artykule poddano analizie splot autobiografizmu, fikcji i autoanalizy w studium psychoanalitycznym O psychicznych mechanizmach chorób umysłowych węgierskiego pisarza i psychiatry Gézy Csátha (1887–1919) w świetle jego zapisków dziennikowych oraz rozprawy doktorskiej Carla Gustava Junga.
4
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Trzy głosy o książce Włodzimierza Boleckiego Modalności modernizmu

51%
Wyka M., Szumna M., Chmurski M.
Poznańskie Studia Polonistyczne. Seria Literacka
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2014
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issue 24
309-318
EN
The text is a commentary on the book Modalności modernizmu (“Modalities of Modernism”) by Włodzimierz Bolecki which is regarded here as a pioneer synthesis. The authors bring attention to Bolecki’s model of thinking about Central and Eastern European modernism and ponder about the new perspectives that this model opens up. Special emphasis is put on the questions of methodology and training of a new generation of interpreters who should be equipped with the competences essential for conducting this type of research. Also, the attention is brought to cognitive benefits resulting from the perspective combining the description of the typical features of not only Polish modernism but also the Modernisms of the countries of Central and Eastern Europe, and especially, which is ever more evident in this context, not self-evident, unique character of Polish literature of the 19th and 20th centuries and the Polish turn towards modern culture in the studies of the recent decades. A broader presentation of a regional perspective which is suggested in the book by Bolecki, could help to explain the empty space on the map of parallel transformations in close, and yet individually different countries of the region, forcing us to revise our previous ways of thinking about literature and culture of modernism, as well as the languages of its description.
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