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Opowieściowy wzór przeznaczenia bohaterów

100%
Čechová M.
Slavia Occidentalis
|
2017
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issue 74/2
65-76
PL
As a result of an analysis of folk types 461 and 930 (‘protected by fate’) their thematic and motif-based intersections in the comparative framework of European and Asian literary tradition can be identified. At the same time, these intersections are inter-culturally valid. The research shows that an invariant semanteme of all the myths, folk tales and legends studied is the unsuccessful attempt of a man of high social standing and power to kill his successor, who has been chosen by fate. This ancient narrative motif also contains the famous Biblical motifs, such as the persecution of a child, heavenly omens and the fulfilment of a prophecy.
2
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OPOWIEŚCIOWY WZÓR PRZEZNACZENIA BOHATERÓW

100%
Čechová M.
Porównania
|
2018
|
vol. 22
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issue 1
289-301
EN
The result of the analysis of folk types 461 and 930 (‘protected by fate’) is identification of their thematic-motivic intersections in the comparative framework of European and Asian literary tradition. At the same time, these intersections are valid inter-culturally. The research shows that an invariant semanteme of all studied myths, folk tales and legends is an unsuccessful attempt of a man of high social standing and power to kill his successor chosen by fate. The discussed ancient story motif also contains the famous Biblical motifs, such as the persecution of a child, heavenly omens and the fulfilment of prophecies.
PL
Wynikiem analizy baśniowych typów 461 i 930 („protegowany losu“) jest określenie ich tematyczno-motywicznych przejawów w kontekście europejskich i azjatyckich tradycji literackich, które mają międzykulturową „ważność”. Niezmiennym semantemem wszystkich wymienionych mitycznych, baśniowych czy legendowych opowieści jest nieudana próba zabicia przez wysoko postawionego, posiadającego władzę mężczyznę tego, kto według przepowiedni czy wróżby ma stać się jego następcą. Integralną częścią tego odwiecznego, starego motywu są – w wielu przypadkach – także znane motywy biblijne, jak na przykład prześladowanie niemowlęcia, znaki z nieba czy spełnienie przepowiedni.
3

SOPHIINA PREDESTINÁCIA V KLASICKÝCH NARATÍVOCH (CINDERELLA) A V POJMOVÝCH MODELOCH (M. R. COXOVÁ)

100%
Čechová M.
Studia Historica Nitriensia
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2014
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vol. 18
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issue 1
120 – 126
EN
The article follows stories of two women. One of them – archetypal-symbolic (Cinderella) belongs to fictional world, whereas the other one (M. R. Cox) is historical character from the real world. Despite rather schematic briefness and selective partialness the author points out that initiative of M. R. Cox unfolded (on rich material of stories about Cinderella) still lively and expanding territory for several disciplines – from ethnography through cultural anthropology to literary history. This territory relates to most fundamental, universal archetypes of human worldview and orientation in it, with the key role played by feminine principle.
4
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RHIZOMATIC CHARACTER OF TRANS-CULTURAL AND TRANS-TEMPORAL MODE OF LITERARY COMMUNICATION

100%
Čechová M.
World Literature Studies
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2014
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vol. 6 (23)
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issue 3
111 – 127
EN
A study without the questioning of the abstract model validity of the traditional linear concepts of literary communication is point to cases of literary communication with an essence that is not linear but rhizomatic. The material basis of the interpretation as variations of fairy-tale of 510 A type of “Persecuted Heroine” (Aarne-Thompson-Uther). The category of the author and production in case of the 510 A type dos not represent a “one-point” homogeneous systemic element, but a diversified network of “genetic focuses”. These are distributed in a trans-temporal manner, and at the same time, they show trans-cultural diffusion. And at the same time, some focuses are factually (textually) verifiable (Chengshi Yexian, G. Basile La Gatta Cenerentola and the others), and others constructed purely hypothetically (H. Bayley, R. D. Jameson). The central category of text as well as its reception is also characterized by analogical parameters (this applies to rhizomatic network of variations). This study of the mentioned material basis shows that literary communication in its traditional form already has a poly-dimensional multi-level nature based on binary principles: factual – hypothetic; definite – indefinite; delimited – confluent, derived – autonomous, diffused – parallel, convergent – divergent etc.
5

SEMIOTIZÁCIA KAŽDODENNOSTI 19. A 20. STOROČIA V UMELECKOM OBRAZE (SELEKTÍVNA REKOGNOSKÁCIA)

100%
Čechová M.
Studia Historica Nitriensia
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2015
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vol. 19
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issue 2
318 – 324
EN
This paper focuses on the interpretation iconic (semiotic) portrayal of everyday reality in fairy tales from two northern authors - the Danish writer Hans Christian Andersen (19th cent.) and Latvian writer Karlis Skalbe (20th cent.), on the comparative background of opposition realistic / historically factual / believable – fictional / magic / fantasy.
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