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  1. 3 World Literature Studies

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  1. 3 Jambor J.

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DER HISTORIOGRAPHISCHE SPEZIALDISKURS DER EREIGNISSE AUS DER NS-ZEIT IN EVA UMLAUFS INTERDISKURSIVER AUTOBIOGRAPHIE

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Jambor J.
World Literature Studies
|
2021
|
vol. 13
|
issue 4
29 - 43
EN
This contribution deals with “Die Nummer auf deinem Unterarm ist blau wie deine Augen. Erinnerungen (The number on your forearm is blue like your eyes. Memories, 2016) by the Jewish-German author and psychotherapist Eva Umlauf (born in Nováky, Slovakia, in 1942, she emigrated to Munich in 1967). Its objective is to follow some of the clear traces of interdiscursive communication in the text and to point out how a personal life story became a multi-layered autobiography. In the first part, the originating points of literary theory are outlined and the structure of the work and its interdiscursive dimensions are presented. The second part deals with the incorporation of knowledge of historiographical discourse, exemplified by the events of the Nazi era (including her birth in the labour camp for Jews in Nováky and her internment in the Auschwitz concentration camp 1944–1945).
2
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MELITTA BREZNIKS PROSAWERK ZWISCHEN FAKTUALEM UND FIKTIONALEM ERZÄHLEN

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Jambor J.
World Literature Studies
|
2023
|
vol. 15
|
issue 4
14 – 32
EN
This article deals with five longer prose works of the German-language author of Austrian origin, Melitta Breznik (b. 1961). It aims to situate the texts in the context of specifically selected current theoretical concepts on autobiographical and auto-fictional writing and to point out their specific features through a differentiated approach. The study will illustrate some possibilities of narrative self-design, based on this contemporary author, psychiatrist and psychotherapist.
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DIE AUFARBEITUNG DES FALLS BALLERSDORF (FEBRUAR 1943) IN HANSJȌRG SCHNEIDERS KRIMINALROMAN „HUNKELER UND DER FALL LIVIUS“

100%
Jambor J.
World Literature Studies
|
2020
|
vol. 12
|
issue 2
14 – 25
EN
The contribution deals with the crime novel „Hunkeler und der Fall Livius“ (2007) by the Swiss author Hansjȍrg Schneider. Its goal is to analyse the aesthetically effective incorporation of the historically authentic events of the World War II into the novel ś fictional world, in which the author applied the oral history method (interviewing contemporary witnesses) and partially relied on written sources.
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