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Marcin Poprawa, Telewizyjne debaty polityków jako przykład dyskursu publicznego, Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, Kraków 2009, ss. 316

100%
Wardzała K.
Poznańskie Studia Polonistyczne. Seria Językoznawcza
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2010
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vol. 17
277-281
2
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Komentarz jako gatunek w telewizyjnych programach informacyjnych

100%
Wardzała K.
Poznańskie Studia Polonistyczne. Seria Językoznawcza
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2010
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vol. 17
151-162
PL
One of the new elements of a news programme, evolved as a result of the changes in the its formal structure, is the commentary, which introduces some variety to the poetics of the news story as well as makes the actual presentation more attractive. The issue has not been, however, adequately addressed and discussed in the literature of the subject and there are only selective characteristics of some of its varieties available. The present article provides a description of different types of the informative commentary and its particular place within the structure of a programme for this genre is dependable on the information it refers to and on the involved relation between the two (how it is organized by and organizes). Additionally, the article discusses the form of the commentary and conceivable perceptional planes in which it can be manifested.
3

Serwisy Pudelek.pl i Pardon.pl jako internetowe tabloidy

63%
Szewczyk A., Wardzała K.
Oblicza Komunikacji
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2011
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vol. 4
181-198
EN
The subject of this paper is an analysis of Internet tabloids ― popular celebrity news websites and also an attempt at classification of this genre. Basing on this description we want to reveal typical tabloid elements in this kind of websites and show how they affect linguistic contents. Celebrity news websites create tabloid, simplified reality, based on good-bad dichotomy. Information is treated as a product, passed on in packed-up form. Sensational and emotional contents of these news together with the possibility of reacting to them play general role in language form of this kinds of texts. Colloquial vocabulary, unambiguous headlines, conventional metaphors and numerous subjective epithets are being used not only to intensify expression, but above all also to minimize the distance between the author and potential reader.
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