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Zróbmy sobie dziedzictwo. Przypadek dwóch wystaw

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Budzińska J.
Lud
|
2021
|
vol. 105
294-311
EN
Text is an attempt to compare two exhibitions from National Museum in Cracow: „Polish self-portrait” (1979/1980) and “#heritage” (2017/2018). Analyzed was their potential/method in the field of creation/planning of heritage and identity. Referring to, among others, Gregory Ashworth, Edwin W. Ardener, Eric Hobsbawm, Geneviève Zubrzycki and Jacques Lacan, I analyse the ways of establishing heritage, in terms of arbitrary and contractual.
PL
Tekst jest próbą porównania dwóch wystaw z Muzeum Narodowego w Krakowie  - „Polaków Portret własny” (1979/1980) i #dziedzictwo (2017/2018). Analizie poddano ich potencjał/metodę w zakresie tworzenia/planowania dziedzictwa i tożsamości. Odwołując się do teorii m.in. G. Ashwortha, E.W. Ardenera, E. Hobsbawma, G. Zubrzycki czy J. Lacana analizuję, m.in. na podstawie materiałów archiwalnych, sposoby ustanawiania dziedzictwa, traktując je w kategoriach arbitralności i umowności.
2

Planimetria obrazu

100%
Budzińska J.
Sensus Historiae. Studia interdyscyplinarne
|
2012
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issue 1(6)
115-132
EN
The text is an attempt to re-read / “structuring” of B. Strozzi’s picture’ Abduction of Europa’ in reference to the iconic turn, important and interesting from a methodological perspective, made in the 90s of the twentieth century. Referring to Max Imdahl and his Iconic (and, though the methods of criticism, to E. Panofsky and H. Sedlmayr) and using that first proposed ideas how so-called recognizing and seeing view, stage totality or transscenic field-line system is shown, that the meaning of the image/ presentation may be constituted by his, unique and singular, visual structure, which in turn is based on, impossible to translate discursive, pictorial language.
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