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1

Krytyka literacka po 1989 roku wobec klasycyzmu

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Woźniak-Łabieniec M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2009

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vol. 12

EN

The aim of the article is present the controversy in review of literature on a subject classicism after 1989. Different sense (methods) of reason this term influenses classification of poetry. Besides one of important aim of review is designation differences beetwen classicism and postmodernism. The difficulty is that modern classicism is changing and developing. We researched it in statu nascendi.

2

Od Redakcji

100%

Woźniak-Łabieniec M., marzenaw@uni.lodz.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2016

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vol. 33

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issue 3

3

The Issa Valley in Censorship Documents. On the Thaw Reception of Czesław Miłosz’s Novel

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Woźniak-Łabieniec M., University of Łódź F. o. P., marzenaw@uni.lodz.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2016

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vol. 37

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issue 7

EN

Czesław Miłosz’s The Issa Valley [Dolina Issy] was published in the Paris Literary Institute in 1955 and soon after started paving its way to readers in the author’s native country, in spite of the censorship. This article traces back the novel’s reception in the so-called Thaw (post-Stalin) period (1955–1957) in the light of official domestic publications and the documents of the Censorship Office. Those years saw publication of several argumentative and favourable essays on the novel (by e.g. I. Sławińska, J. Błoński, J. Zawieyski). The censors banned just one extensive discussion text on The Issa Valley, by Jarosław-Marek Rymkiewicz, and this owing to where it was published. A ban on publishing the poet’s works in a nonserial form was maintained. In that transitional period, new directives were coming from the communist-party headquarters, and the censors would often consult the heads of departments they reported to, or the Central Censorship Office directly. The situation grew severer by 1958, with the poet’s name being consistently removed from most publications.

4

Censorship Towards Czesław Miłosz in Poland in the Fifties after Having Chosen the Emigration

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Woźniak-Łabieniec M., University of Lodz F. o. P., marzenaw@uni.lodz.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2016

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vol. 37

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issue 7

EN

This article shows the outline of problems connected with censoring Czesław Miłosz’s literary output in Poland in the 1950s, when the poet breaks off with the national government and chooses political asylum in France, becoming an émigré. The article looks into (in the space of decade) the periods of particularly tightened control towards Miłosz, shows how the censorship was tightening and relaxing when it came to his name. In the Polish October several poems and an excerpt from the novel The Seizure of Power was published, though – despite publishing advertisements – none of the poet’s books came out.

5

Censorship as a Taboo during Political “Thaw”

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Woźniak-Łabieniec M., University of Lodz F. o. P., marzenaw@uni.lodz.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2016

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vol. 37

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issue 7

EN

During political “thaw”, in years 1955−1956 in the People’s Republic of Poland, it write in newspapers about themes banned earlier. One of such many theme formerly banned was censorship (Main Office of Control of Press, Publications and Shows). Journalists wrote about books banned by censorship, prohibited publications and black-listed writers, whose books had removed from libraries and destroyed. Situation is changed in 1958 – it is not allowed to write again about existence and activity of censorship

6

Cenzura w okresie odwilży jako temat tabu

100%

Woźniak-Łabieniec M., Katedra Literatury Polskiej XX i XXI Wieku U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2013

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vol. 19

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issue 1

EN

During the political “thaw” of 1955−1956 the magazines circulated in the People’s Republic of Poland started to include themes which previously had been banned. One of those focused on the existence of censorship and its activities (Main Office of the Control of Press, Publications and Shows). Jour¬nalists wrote about books banned by the censorship, prohibited publications and black-listed writers, whose books were removed from libraries and destroyed. The situation changed in 1958 when once again writing about the existence and activities of the censorship was fobidden.

7

Wokół recepcji Traktatu polemicznego Witolda Wirpszy. Głosy o Miłoszu w roku 1951 w świetle dokumentów cenzury

100%

Woźniak-Łabieniec M., Katedra Literatury Polskiej XX i XXI Wieku U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2011

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vol. 14

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issue 2

EN

The aim of this paper is to present the 1951 dicussion on Czesław Miłosz’s escape from Poland. Wirpsza’s poem, published in January 1951, was dedicated to Czesław Miłosz. It was was commented on in a literary cultural newspaper over the next few months. Miłosz is shown as a deserter and a traitor, who has lost his poetic talent. The analysis of censorship documents shows that instructions for Miłosz’s texts and texts about him must have been issued in May 1951.

8

Lekcja Barańczaka. Nieufni i zadufani po latach

100%

Woźniak-Łabieniec M., Katedra Literatury Polskiej XX i XXI Wieku U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2010

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vol. 13

EN

The aim of this article is to analyze the reception the book of Stanisław Barańczak about classicism and romanticism in the poetry of the sixties. This book show linguistic trend in Polish poetry. It is important to ask: how distinguished the author by the opposition “dialectical Romanticism” (poetry linguistic) and classicism (inspired by Eliot) influenced subsequent synthesis of critical and what is its impact on subsequent generations of the poets, especially poetry of artists born in the sixties.

9

Leśmianowska ,,ontologia" nicości

100%

Woźniak-Łabieniec M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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1998

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vol. 01

EN

The aim of the article is to present the senses ant contexts in which the concept of nothingness (and also * non-existence", “emptiness", a "vacuum” and “timelessness”) appears in the world presented in Bolesław Lesmian’s poems. The above-mentioned terms are the constructive elements of his poetic reality. The lyric “I” of Leśmian’s numerous poems is the poet, placing the world of his poetry on the borderland between existence and non-existence. Paradoxically, one might say that the poet has created a world which does not exist, though it is characterized by some specific qualities. Thus, there is no clear borderline between existence and nothingness. In the world presented by Bolesław Leśmian, absolute nothingness appears to be impossible. One can, however, identify a kind of transcendental nothingness, which is not the complete annihilation of everything, but only, as the poet put it, “a state of consciousness different from the consciousnes of existence”. There is also a category of immanent nothingness, which can be perceived either as a lack in existence (this sort of nothingness is typical of the protagonist from Pieśni kalekujące [The Crippling Songs] or as the annihilation o f individual existence. The second type of nothingness is frequently identified with non-existence. The concepts discussed here have been reified and materialized by the poet. They have become the agent or subject of action. Sometimes they are presented as the categories of space. Then their synonyms are “emptiness”, a “vacuum” and a “chasm” existing in timelessness. Nothingness is a category which, in the poems by Leśmian, defines not only the ontological status of all kinds of existence but also the drama o f the existential situation of characters living in the poetic world presented in the poems.

10

Klasycyzm i metafizyka. (O wczesnej twórczości Jarosława Marka Rymkiewicza)

100%

Woźniak-Łabieniec M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2001

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vol. 02

EN

The present article is to recall the general principles of J. M. Rymkiewicz’s classicism and to stress those of his theses that roused a lot of controversies among critics (diagnosis of the culture crisis, time conception, theory of archetypes). Also it is essential to examine the poet’s way to express these theories in his poetry. The investigation helps us to find a contemporary poet interested in metaphysics. In his early poems he expressed various meanings of that branch of philosophy. The first expression is his theory of archetypes. By this he intends to touch the sphere of collective subconsciousness in order to evoke the forgotten archetypal models and to bring them back to life by means of symobls of the Ume being. His second theory can be described as “awakening the dead” . By poetry (arts) the present generation should get in touch with its ancestors to “wake them up” and thus to cause them to return to us. His third theory has been a continuation of baroque metaphysical poets’ expression. Their influence can be seen in his poems that remind us of Naborowski’s and the Morszlyns’ vocabulary and way of describing images. There are questions asked to the God about the sense of this life and eternity.

11

Czesław Miłosz in Tygodnik Powszechny in 1980 Censorship’s interventions

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Woźniak-Łabieniec M., Uniwersytet Łódzki W. F., marzenaw@uni.lodz.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2015

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vol. 30

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issue 4

PL

Celem niniejszego artykułu było uzyskanie odpowiedzi na pytania: jakie zasady i wytyczne stosował Główny Urząd Kontroli Prasy, Publikacji i Widowisk w stosunku do autora "Zniewolonego umysłu" po przyznaniu poecie Nagrody Nobla, gdy stał się on znany na Zachodzie oraz w jakich okolicznościach – wbrew wytycznym cenzury – nazwisko Czesława Miłosza mogło pojawić się w oficjalnych publikacjach. Jako materiał badawczy przyjęto numery „Tygodnika Powszechnego” wydawane od października (po ogłoszeniu decyzji Akademii Sztokholmskiej) do grudnia 1980 roku, które pokazują, jak Miłosz-emigrant był obecny w opiniotwórczym wówczas katolickim czasopiśmie w świetle zapisów cenzury.

12

Słowo od Redakcji

63%

Bogołębska B., Woźniak-Łabieniec M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2007

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vol. 09

13

Od redakcji

63%

Bogołębska B., Woźniak-Łabieniec M., Barbara Bogołębska - Katedra Dziennikarstwa i Komunikacji Społecznej U. Ł., Marzena Woźniak-Łabieniec - Katedra Literatury Polskiej XX i XXI Wieku U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2011

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vol. 14

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issue 2

PL

Wprowadzenie do części literaturoznawczej 14. tomu Folia Litteraria Polonica

14

Od redakcji

63%

Bogołębska B., Woźniak-Łabieniec M., Marzena Woźniak-Łabieniec -Katedra Literatury Polskiej XX i XXI Wieku U. Ł., Barbara Bogołębska -Katedra Dziennikarstwa i Komunikacji Społecznej U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2011

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vol. 14

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issue 1

XX

Od redakcji

PL

Wprowadzenie do numeru 1, tom 14 (2011)

15

Od redakcji

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Bogołębska B., Woźniak-Łabieniec M., Bogołębska Barbara - Katedra Dziennikarstwa i Komunikacji Społecznej U. Ł., Woźniak-Łabieniec Marzena - Katedra Literatury Polskiej XX i XXI Wieku U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2012

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vol. 17

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issue 3

LA

Wprowadzenie do numeru 17 Acta Universitatis Lodziensis Folia Litteraria Polonica

16

Słowo od redakcji

63%

Bogołębska B., Woźniak-Łabieniec M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2001

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vol. 04

LA

Wstęp do Acta Universitatis Lodziensis. Folia Litteraria Polonica Tom 4 (2001)

17

Słowo od Redakcji

63%

Bogołębska B., Woźniak-Łabieniec M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2003

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vol. 06

LA

Wstęp do Acta Universitatis Lodziensis. Folia Litteraria Polonica Tom 6 (2003)

18

[Dwutomowa publikacja, którą rekomendujemy...]

63%

Bogołębska B., Woźniak-Łabieniec M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2005

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vol. 07

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issue 1

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Krytyka literacka po 1989 roku wobec klasycyzmu

Od Redakcji

The Issa Valley in Censorship Documents. On the Thaw Reception of Czesław Miłosz’s Novel

Censorship Towards Czesław Miłosz in Poland in the Fifties after Having Chosen the Emigration

Censorship as a Taboo during Political “Thaw”

Cenzura w okresie odwilży jako temat tabu

Wokół recepcji Traktatu polemicznego Witolda Wirpszy. Głosy o Miłoszu w roku 1951 w świetle dokumentów cenzury

Lekcja Barańczaka. Nieufni i zadufani po latach

Leśmianowska ,,ontologia" nicości

Klasycyzm i metafizyka. (O wczesnej twórczości Jarosława Marka Rymkiewicza)

Czesław Miłosz in Tygodnik Powszechny in 1980 Censorship’s interventions

Słowo od Redakcji

Od redakcji

Od redakcji

Od redakcji

Słowo od redakcji

Słowo od Redakcji

[Dwutomowa publikacja, którą rekomendujemy...]