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Giuseppe Arcimboldo: maniera „widziana jako”

100%
Malec I. M.
Estetyka i Krytyka
|
2010
|
issue 17-18
97-110
EN
Mannerism and similarly the Renaissance has its impact on the development of the representational arts. The etymology of the name is connected with the word manner synonymous with the new style. Giuseppe Arcimboldo’s oeuvre exemplifies the style of mannerism in combination with the Renaissance idea of beauty. The mysterious paintings by the amazing painter were commonly admired and attracted many followers. His masterpieces were forgotten by the next generations and their rediscovery can be ascribed to surrealists. All Arcimboldo’s works, which obeyed the rules of bizarre Mannerist painting – multidimensional and surprising – are in accordance with Ludwig Wittgenstein’s aspectual seeing. The philosophical reflection on Arcimboldo’s painting is supposed to show a contemporary audience a new aspect of the Italian master’s works
2

EUGENE VÉRON: THE FORGOTTEN THOUGHT OF AESTHETIC OF THE FRENCH POSITIVISM (Eugene Véron: zapomniana mysl estetyczna francuskiego pozytywizmu)

100%
Malec I. M.
Kwartalnik Filozoficzny
|
2010
|
vol. 38
|
issue 1
39-49
EN
Eugene Véron, the great French aesthetician of the second half of the 19th century, appears among such thinkers of the time as A. Comte, H. Taine, J. M. Guyau or G. Séailles. His work reflects 19th-century tendencies and expresses original aesthetic and philosophical ideas based, among other things, on the positive thought of Comte. His views stand in opposition to the strict rules of academism and at the same time they promote new tendencies in art that include the influence of science on artistic creativity. His expressive theory of art inspired many non-French philosophers, aestheticians, and art critics, such as L. Tolstoy, B. Croce, and B. Prus. Not many remember him at present. His work is a forgotten episode of the contemporary aesthetics which is worth recalling to Polish readers.
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Od redakcji

51%
Czakon D., Malec I. M., Tendera P.
Estetyka i Krytyka
|
2013
|
issue 3(30)
9
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