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Duch, który cierpi. O roli cierpienia i rytuału w przeżywaniu kryzysów na przykładzie szkoły waldorfskiej

100%
Dobiasz-Krysiak M.
Nauki o Wychowaniu. Studia Interdyscyplinarne
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2021
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vol. 12
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issue 1
110-131
EN
The text is devoted to the role of ritual and art in overcoming individual suffering and social crises. Although unpopular in the contemporary culture of analgesics, focused on achieving quick results, the ritual process (as Maria Mendel and Tomasz Szkudlarek show after Turner) is essentially identical to the experience of crisis. Therefore, going through rituals has the potential of transgression, and solving difficult situations for individuals and societies. I discuss this with examples of the changes in birth narratives and also showing the ways of dealing with trauma of Martin Miller, son of the famous psychotherapist Alice Miller. Another feature of contemporary culture is the rejection of the sacrum, as illustrated by the removal of theosophical threads from Maria Montessori’s biography and the marginalization of Rudolf Steiner's Waldorf schools, which stem from the crisis of Western rationality. Reproduced and mediated by art, rituals are used in Waldorf schools for educational and developmental purposes, and, according to the theories above, they may have the potential to overcome adolescence crises.
PL
Tekst poświęcony jest roli rytuału i sztuki w pokonywaniu jednostkowego cierpienia i społecznych kryzysów. Choć niepopularny we współczesnej kulturze analgetyków, nastawionej na uzyskiwanie szybkich efektów, proces rytualny (jak pokazują za Turnerem Maria Mendel i Tomasz Szkudlarek), jest w swej istocie tożsamy z doświadczeniem kryzysu. Przechodzenie rytuałów ma więc potencjał transgresji, przekraczania sytuacji trudnych dla jednostek oraz społeczeństw. Omawiam to na przykładach przemian narracji porodowych oraz sposobów radzenia sobie z traumą przez Martina Millera, syna słynnej psychoterapeutki Alice Miller. Inną cechą współczesnej kultury jest odrzucenie sacrum, co pokazuję na przykładzie usuwania teozoficznych wątków z biografii Marii Montessori i marginalizowania szkół waldorfskich Rudolfa Steinera, które wyrastają z kryzysu zachodniej racjonalności. Odtwarzane i zapośredniczone przez sztukę rytuały, wykorzystywane są w szkołach waldorfskich w celach wychowawczych i rozwojowych i zgodnie powyższymi teoriami mogą mieć potencjał pokonywania kryzysów związanych z dojrzewaniem.
2
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Jak projektować etnoanimacyjne badania w działaniu. Dobra praktyka i suwak animacyjny

89%
Dobiasz-Krysiak M., Dobiasz-Krysiak M.
Studia Etnologiczne i Antropologiczne
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2016
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vol. 16
160-171
EN
Ethnoanimation connects ethnographic research and culture animation. This method has been developed for ten years by Tomasz Rakowski, The Field Collective and author of the text. The last project where the method was tested was the laboratory known as the “Local dimensions of cultural participation. Ethnographic action research”, Warsaw University within a larger framework of a Ministry of Culture grant “Creating bottom-up culture”. In this project students and The Field Collective created an ethnoanimation project in the villages of Zaława and Cukrówka in Poland. They reflected upon them by putting them on an “animation zip” diagram according to the level of cohesion between animation and ethnography in their projects. The “animation zip” as an useful tool that may be interpreted inthe context of “best practices” of culture animation defined by National Culture Centre to define typical features of ethnoanimation practices. In this text the author tries to answer the question–what makes an ethnoanimation project most effective.
3
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Rozwój, kryzys i wspólnota. O praktycznej realizacji Mazowieckiego Programu Edukacji Kulturalnej

63%
Świętochowska A., Dobiasz-Krysiak M.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
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2019
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vol. 105
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issue 2
118-132
EN
The Mazovian Programme of Cultural Education is an initiative that aims to raise the profile of cultural education, improve access to it, emphasise its importance for social development, and provide support to cultural managers and educators. In this article the programme is presented in the context of contemporary theories on cultural and educational activities, and their significance for development in its broadest sense. Involved directly in the implementation of the programme, the authors of the article discuss its tools and methods, conclusions from the programme applications in practice, as well as the approach and values adopted as guidelines throughout the programme.
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