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Wpływ osoby i kultu błogosławionej Doroty na życie duchowe parafii i wyposażenie kościoła w Mątowach Wielkich od średniowiecza do współczesności

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Grabowska-Lysenko A.

Studia Elbląskie

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2013

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vol. 14

47-61

EN

The aim of this paper is to show the influence of the blessed Dorothy and her spirituality at the religious life of the parish and the shape and meaning of the interior of the Saint Peter and Paul church in Great Montau. The most important elements in the Dorothy’s spirituality were the passion piety and Eucharistic cult. The works of art from the Middle Ages, preserved in the church, confirm their important role also in the religious live of the parish community (Sacrament House, Pieta, Christ on the Cold Stone). In the modern times, when the Dorothy’s cult was renewed in the Kulm Diocese, the interior of the church was enlareged with three elements connected with Dorothy – the Latin inscrioption about her life, the procession paiting depicting her mystical communion, as well as her image within the southern side altar. Also in the 19th and in the beginning of the 20th Century the cult of the Recluse was living in the parish. After 1945 it was less cultivate. The cult was renewed in the 70’s of the 20th Century. Today is the Dorothy’s cult again living, and an important part of it are the works of art (procession painting, baptismal font). The temple in Montau is an extraordinaryexample among others Prussian churches, because here some cult continuity was preserved and thanks the works of art is it possible, to follow its history.

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Dekoracja drzwiczek sakramentarium w Mątowach Wielkich jako przyczynek do rozważań nad pobożnością eucharystyczną ludu wiejskiego w średniowiecznych Prusach

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Grabowska-Lysenko A.

Studia Elbląskie

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2014

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vol. 15

189-205

EN

This paper is an attempt to show the main forms of the Eucharistic piety in the Prussian countryside in the Middle Ages on the basis of analysis of the sacrament house in Saint Peter and Paul church in Mątowy Wielkie (Groß Montau). This work will be compared with other objects from the area of the former Teutonic Order State. The iconographic program of the sacrament house door is known today from the historical description, archival photos and the copy of the door, which is kept in the church in Mątowy Wielkie. Originally it consisted of the picture of the Man of Sorrow, placed on the obverse, and the presentation of the priest with the monstrance on the back of the door. The analysis of the iconography of this object in the context of its function allows to draw some conclusions about forms of worship of the Blessed Sacrament widespread in the Prussian countryside: individual adoration of the Eucharistic Christ in the consecrated Host or in His images, as well as Theophoric processions, mostly related to the celebration of Corpus Christi. This work seems to be a testimony to the religious climate in the Prussian Church in the first half of the 15th century and to the role of the clergy in the transformations of the religiosity of the laity, taking place in this time.

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Kaplice czy kaplica? O zawiłych dziejach kaplic(y) św. Bartłomieja i św. Jadwigi w gdańskim kościele Najświętszej Maryi Panny i o ich znaczeniu dla badań nad średniowiecznymi elementami wystroju

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Grabowska-Lysenko A.

Zapiski Historyczne

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2022

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vol. 87

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issue 1

27-62

EN

According to the findings of the research into the history of St. Mary’s Church in Gdańsk, in its eastern part, behind the main altar, three liturgical centres operated in the Middle Ages: the Chapels of the Holy Sepulchre and of St. Bartholomew, which divided the wide architectural space on the axis of the temple, as well as the Chapel of St. Hedwig, located to the south of them. In the latter, a set of wall paintings and a reredos have survived to the present day, the aspects of which have been analysed mainly in relation to the scanty information on the history of this chapel. The example of the decoration of a chapel referred to as ‘Chapel of St. Hedwig’ shows how important, from the point of view of historical and artistic research, it is to use written sources, both those contemporary to the created works of art, and those from a later period. An in-depth analysis of various source materials related to the history of the chapels mentioned above, especially documents related to the Chapel of St. Bartholomew, founded in 1451, has made it possible to establish that in fact there were formerly only two chapels behind the main altar: The Chapel of the Holy Sepulchre (later also called the Chapel of St. Gertrude) and – on the southern side – the Chapel of St. Bartholomew, which as early as at the beginning of the 16th century was commonly referred to as the Chapel of St. Hedwig. Putting this issue in order will make it easier to analyse the objects found in the Chapel of St. Bartholomew/Hedwig in a more comprehensive manner – as a group of works that are the effect of a more uniform concept, and it will enable a more precise dating of the works, which in turn may serve as a starting point for further research into the artistic environment of mid-15th century Gdańsk.

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Wpływ osoby i kultu błogosławionej Doroty na życie duchowe parafii i wyposażenie kościoła w Mątowach Wielkich od średniowiecza do współczesności

Dekoracja drzwiczek sakramentarium w Mątowach Wielkich jako przyczynek do rozważań nad pobożnością eucharystyczną ludu wiejskiego w średniowiecznych Prusach

Kaplice czy kaplica? O zawiłych dziejach kaplic(y) św. Bartłomieja i św. Jadwigi w gdańskim kościele Najświętszej Maryi Panny i o ich znaczeniu dla badań nad średniowiecznymi elementami wystroju