Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

Kapitał kulturowy. Inteligencja w Polsce i w Rosji

100%
Sławomirski R.
Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego
|
2010
|
issue 1(13)
567-570
EN
The author suggests recourse to the concept of cultural capital, which is part of Pierre Bourdieu's theoretical system, and equally important concept of political capital to redefine the tasks of critical sociology in the countries of Central and Eastern Europe - in this case in Poland and Russia. It is is also an attempt to bring questions about the role of modern intelligence. Zarycki theory of cultural capital refers to the analysis of modern societies in Europe Central and Eastern Europe in the so-called. peripheral countries, as it considers Poland and Russia. Poses questions about the ways and means to reference the above-mentioned theory of capital cultural analysis of contemporary societies.
2
Content available remote

Międzynarodowa konferencja naukowa „Tożsamość, indywidualizm, wspólnotowość w kulturze rosyjskiej”, Kraków, 25-26 maja 2012 roku

100%
Sławomirski R.
Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego
|
2012
|
issue 1(19)
515-518
3
Content available remote

Twórczość Bulata Okudzawy jako przejaw radzieckiej kultury alternatywnej

100%
Sławomirski R.
Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego
|
2011
|
issue 1(15)
79-92
EN
The times of communist totalitarianism and the social realism ubiquitous in art – “culture embroiled in socialism, fully appropriated by the ideology” were a difficult period for the Russian culture. Special resolutions of the Party on literature, theatre, film and music were one of the measures to enforce total subordination of this sphere of life to the authorities. Artists opposing the prevailing ideological and aesthetic standards were forced to issue their politically incorrect works beyond the borders of the communist bloc in the so -called tamizdat or to duplicate works personally – in the so called samizdat. A question arises whether free creation was at all possible in the official circulation at the time of Soviet censorship? An analysis of the culture of that period allows for an argument that such was the poetry of the Russian bards, which was pioneered by Bulat Okudzhava. The poetry of Okudzhava and its popularity with nearly the entire Soviet society is a phenomenon in the communist bloc. The poetry has a libertarian dimension, manifesting itself in its autonomy from the dictates of the power and ideology and the accompanying lies. The author avoided both the tamizdat and samizdat and also conformism. His liberation poetry became known officially and thanks to its universal values it became an alternative to the Soviet culture.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.