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Invito alla riscoperta e alla traduzione di Mario Rapisardi

100%
La Rosa G.
Italica Wratislaviensia
|
2020
|
issue 11.2
137-160
EN
This article is intended to constitute a first approach towards a critical, comparative, and bibliographic study of the forgotten figure of Catania-born Mario Rapisardi (1844–1912), “the Etnean poet.” A poet and polemicist, he expressed himself in the climate of Positivism during and after Italian Unification, distinguishing himself with an ethical temper that did not make him abandon the Promethean tension towards ideals. Due to these ideals, the poet came into conflict with both the academic and ecclesiastical worlds, resulting in his consequent literary isolation—but not social and human isolation, clearly demonstrated by the fact that more than 100,000 people would attend his funeral. This article is also an invitation to rediscover and translate Rapisardi’s work into Polish, as his presence is almost non-existent, given that only four short poems are translated into Polish: three published in 1921 ("Disinganno, La montagna fatale, Dinanzi a un ritratto") and one in 1931 ("Nox"). The translations are by Jadwiga Lipińska, Józef Puzyna, Julian Ejsmond, and Julia Dickstein-Wieleżyńska, respectively. The article chronologically traces the Polish criticism of Rapisardi, starting from 1880 with two articles by Polish writers and literary critics Waleria Marrené-Morzkowska and Julian Adolf Święcicki, up to the present times, and is based both on studies by famous literary scholars, such as Maurycy Mann, and on articles that appeared in literary magazines, such as "Przegląd Humanistyczny" and "Przegląd Współczesny".
IT
Questo articolo vuole costituire un primo approccio verso uno studio critico, comparatistico e bibliografico della dimenticata figura del catanese Mario Rapisardi (1844–1912), “il vate etneo”. Poeta e polemista, egli si espresse nella temperie del Positivismo durante il periodo risorgimentale e post-risorgimentale italiano distinguendosi per la sua tempra etica che non gli fece dismettere la tensione prometeica verso gli ideali. Per essi il poeta entrò in contrasto sia col mondo accademico sia con quello ecclesiastico con il conseguente isolamento letterario, ma non sociale e umano tanto che al suo funerale presero parte oltre centomila persone. Il presente articolo è anche un invito alla riscoperta e alla traduzione in polacco dell’opera del Rapisardi – pressoché inesistente visto che risultano tradotte in polacco solo quattro brevi poesie: tre pubblicate nel 1921 ("Disinganno, La montagna fatale, Dinanzi a un ritratto") e una nel 1931 ("Nox"). Le traduzioni sono rispettivamente di Jadwiga Lipińska, Józef Puzyna, Julian Ejsmond e Julia Dickstein-Wieleżyńska. L’articolo ripercorre cronologicamente la critica polacca su Rapisardi, a partire dal 1880 con gli interventi della scrittrice Waleria Marrené-Morzkowska e del traduttore Julian Adolf Święcicki, fino ai tempi odierni, e si basa sui contributi di studiosi di letteratura come Maurycy Mann, nonché su articoli apparsi su riviste letterarie come "Przegląd Humanistyczny" e "Przegląd Współczesny".
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Introduzione

100%
La Rosa G.
Italica Wratislaviensia
|
2020
|
issue 11.2
9-14
3
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Il cerchio della folla

100%
La Rosa G.
Italica Wratislaviensia
|
2015
|
issue 6
307-310
EN
Book review: Stefano Redaelli (2013). Circoscrivere la follia. Mario Tobino, Alda Merini, Carmelo Samona'. Warszawa: Wydawnictwo Naukowe Sub Lupa
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