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Matko, nie bądź smutna

100%
Duniec K.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 168
240-251
PL
Teatr Powszechny w Warszawie "Radio Mariia" reżyseria: Roza Sarkisian, teksty: Oksana Czerkaszyna, Oskar Stoczyński, Joanna Wichowska, Krysia Bednarek, dramaturgia: Joanna Wichowska, Krysia Bednarek, scenografia i kostiumy: Kornelia Dzikowska, światło i wideo: Adam Zduńczyk, muzyka: Dariusz Cichosz premiera: 13 stycznia 2022
2
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Anatomia melancholii w „Plath”

100%
Duniec K.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 172
240-253
PL
STUDIO teatrgaleria Plath reżyseria: Katarzyna Kalwat, tekst: Bożena Keff, dramaturgia: Agata Adamiecka-Sitek, scenografia, kostiumy, światła: LATALAdesign (Dagmara Latała, Jacek Latała), wideo: Antoni Grałek, muzyka: Żaneta Rydzewska, muzyka na żywo: Maksymilian Pach, choreografia: Ramona Nagabczyńska premiera: 3 czerwca 2022
3

Polskie kino. Obywatel a służba bezpieczeństwa

63%
Duniec K., Krakowska J.
Kwartalnik Filmowy
|
2012
|
issue 77-78
223-243
EN
Feature film as a historical source is frequently underestimated, while despite its artistic ambitions and openly subjective narration it should be recognized and analyzed as a valuable source of knowledge about the past. The article presents wide contexts and detailed insight into the ways how The Security Service of communist Poland and its relations with ordinary people have been represented and interpreted by the Polish cinema. Surprisingly enough we can learn a lot about methods, activities, surveillance, interrogations and tortures of the secret police during almost any period of Polish history from films made both before and after 1989. Polish films concerning the problem of the Security Service theory and practice could be analyzed according to three different orders: an order of representation, an order of dramatization and an order of updating, which refers directly to the problem of lustration and coming to terms with the past.
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