Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 7

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Tom est mort/Mot est mort – l'impossibilité du langage dans le roman de Marie Darrieussecq

100%
Kotowska K.
Quêtes littéraires
|
2011
|
issue 1
137-148
EN
An emptiness after one’s child death seems to be impossible to describe. In her novel Tom is dead, Marie Darrieussecq explores mother’s forbidden thoughts. She reconstructs her grieving process ten years after an accidental death of her four years old son. She starts to write a journal to finally deal with her trauma. Darrieussecq challenges the taboo or writing about things that words are almost impossible to express. The significant thing is that the boy’s name “Tom”, is the anagram of “mot” which stands for “a word” in French. For that reason the death of Tom becomes the death of word. The analysis of the novel in the optic of psychoanalysis results in interesting conclusions, just likewise Marie Darrieussecq’s study in meta-literary context.
2
Publication available in full text mode
Content available

L’objet et la perte. Le cas de François Bon (Mécanique, 2001) et de Marcin Wicha (Rzeczy, których nie wyrzuciłem/Les choses que je n’ai pas jetées, 2017)

100%
Kotowska K.
Cahiers ERTA
|
2020
|
issue 22
9-34
EN
The goal of the article is to confront the texts of François Bon (Mécanique, 2001) and Marcin Wicha (Rzeczy, których nie wyrzuciłem / Things I did not throw away, 2017) by relating objects and their losses in an autobiographical context. The place given to objects in the narratives in question is masterful and goes beyond simple cognitive functions in discourse. In order to highlight the complexity of their status, we progressed in this analysis by following three aspects: the structuring object of the narrative, the mnemonic support object and the "metonymic" object.
3
Publication available in full text mode
Content available

La polémique médiatique - le cas Darrieussecq

100%
Kotowska K.
Romanica Silesiana
|
2012
|
vol. 7
FR
Twice accused of plagiarism, Marie Darrieussecq repeats that for a writer, this kind of accusation is equal to a murder attempt. The case of Darrieussecq is a good example of how various media profit from quarrels between contemporary writers. In 1998, Marie NDiaye accused Darrieussecq of “monkeying” in her novel Naissance des fantômes. Later, in 2007, one of Darrieussecq’s colleagues from the P.O.L. Publishing House, Camille Laurens, referred to Tom est mort as ’psychological plagiarism’. This conflict was escalated by the media and followed a certain pattern: there was an accusation, an accuser and the victim. Key words: Plagiarism, Darrieussecq, media.
4
Publication available in full text mode
Content available

La (re)construction du père chez Annie Ernaux (La Place) et Assia Djebar (Nulle part dans la maison de mon père)

100%
Kotowska K.
Romanica Silesiana
|
2017
|
vol. 12
FR
Annie’s Ernaux’ A Man’s Place and Assia Djebar’s Nowhere in My Father’s House can be described as accounts of what separates fathers from daughters in the context of generational and class divisions. Ernaux connects the story of her father’s life and death with the one of herself. Djebar returns to the late colonial period and gives a description of complex transcultural experiences. In both books, the authors employ a special literary form which is referred to as récit de filiation by D. Viart. The reconstruction of the Father is directly linked with the reflection on the processes of writing, the sense of literature, and the necessity of rejection of the fathers’ heritage.
5
Publication available in full text mode
Content available

Écrire son corps – La Démangeaison de Lorette Nobécourt versus body art

100%
Kotowska K.
Cahiers ERTA
|
2014
|
issue 6
241-252
EN
A surface of a human skin determines a border between outer and inner sphere. Tightness of this division, however, is a subject to permanent perturbation. It makes human skin a fascinating mean of communication. The visual arts (ex. body art) and literature derive from that potential. In that context, human skin appears as a place where Julia Kristeva’s distinction between « symbolic » and « semiotic » diffuses. A body becomes a corps parlant (speaking body). This process of body writing is analyzed by a collation of Lorette Nobécourt’s book La Démangeaison (Itching) and some body art’s enterprises.
6
Publication available in full text mode
Content available

Le fruit de mes entrailles…, la typologie embryonnaire de l’« extrême contemporain »

100%
Kotowska K.
Cahiers ERTA
|
2015
|
issue 8
191-202
EN
The pregnancy considered as a physiological psychosis reveals the dichotomy of the unity and the duality. Therefore the relationship between the psychoanalytic concept of objet and subject is disturbed. The process is close to the mechanism of abjection defined in 1980 by Julia Kristeva. The possession and the separation are two perspectives for analyze the embryo typology in some examples of contemporary feminine literature (Dominique Mainard, Eliette Abécassis, Chloé Delaume, Valentine Goby, Annie Ernaux, Lorette Nobécourt, Nancy Houston).
7
Publication available in full text mode
Content available

Entre lecture et non-lecture : la Bible dans la société catholique polonaise

44%
Kotowska K.
Cahiers ERTA
|
2011
|
issue 2
121-127
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.