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1
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Konia z rzędem za autora! Shakespeare, Szekspirowie i szekspirologie u progu nowego tysiąclecia

100%
Mydla J.
ER(R)GO: Teoria – Literatura – Kultura
|
2005
|
issue 11
EN
Jacek Mydla's review of "The Shakespeare Canon Revisited" by George Volceanov (2005).
2
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Szekspirowskie okruszyny

100%
Mydla J.
ER(R)GO: Teoria – Literatura – Kultura
|
2019
|
issue 39
99-114
EN
As a point of departure the author comments on the fragmentary (quotation-like) presence of Shakespeare in contemporary culture. Then he goes on to use Roman Jakobson’s model of communication to analyse several examples of how the Shakespeare quotation has been appropriated by means of transference into a new context. Using Jakobson’s model enables us to study the changes which the original text undergoes in the process of cultural transmission.
PL
Punktem wyjścia są konstatacje na temat fragmentarycznej („cytatowej”) obecności Szekspira w kulturze współczesnej. Następnie wykorzystano schemat komunikacji Romana Jakobsona do analizy wybranych przykładów przywłaszczeń tekstu szekspirowskiego w postaci cytatu przeniesionego w nowy kontekst. Zastosowanie schematu umożliwia wniknięcie w przetworzenia, jakim ulega znaczenie oryginału w procesie transferu kulturowego.
3
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Brian Cliff, Irish Crime Fiction

100%
Mydla J.
ER(R)GO: Teoria – Literatura – Kultura
|
2019
|
issue 39
229-231
EN
A critical note on Irish Crime Fiction by Brian Cliff.
PL
Omówinie książki Briana Cliffa  Irish Crime Fiction.
4
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Potykając się o śmieci, albo o grach i podchodach filozoficznej partyzantki

100%
Mydla J.
ER(R)GO: Teoria – Literatura – Kultura
|
2008
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issue 16
EN
Jacek Mydla's review of the film "Wall-E" directed by Andrew Stanton (2008).
5
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United by the Ocean? The Romantic Conan Doyle and the Transatlantic Sherlock Holmes

100%
Mydla J.
Review of International American Studies
|
2014
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vol. 7
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issue 1
EN
Jacek Mydla Department of Literary and Cultural Theory, Institute of English Cultures and Literatures, University of Silesia Biographers  describe  Sir  Arthur  Conan  Doyle  as  a  ‘Briton enchanted by America’. His letter ‘England and America’ has been  called  a  ‘plea  for  Britons  to  understand  the  American  point  of  view’.  ACD  entertained  utopian  (which  is  not to  say, silly) ideas about the English-speaking part of the world, which made him make efforts to overcome mutual prejudices and to bring the English and the American nations together in terms of friendship. This despite the fact that he had reasons to feel sore due to literary piracies committed against him by American publishers. ACD’s  fascination  with  merica-which  was  for  him, in his own words, a land ‘full of romance’ shows in his greatest and enduring literary achievement: the Sherlock Holmes stories. Already the first of them, ‘A Study in Scarlet’, which in 1887 gave literary life to the now world-famous consulting detective, is set for a significant part of the plot in the U.S. But  ‘transatlantic’  motifs  occur  also  in  other  stories,  most famously in ‘The Five Orange Pips’ (1891), ‘The Yellow Face’ (1893), and ‘The Dancing Men’ (1903). Besides this, a number of other stories contain the motifs and tropes of sea/ocean/voyaging as leading ones, e.g. The story with a ‘whaling’ motif: ‘The Black Peter’.For  ACD  America  was  a  land  on  which  he  projected, as the ‘American’ and ‘voyaging’ stories make evident, his major political and ideological concerns, such as those with justice and equality. In the paper, special attention is paid to the way in which in some of the stories the ocean (also: a sea and a river) features as something like a protagonist, even as one who administers justice and settles other types of account.
6
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Filozofia w poszukiwaniu niepamięci

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Mydla J.
ER(R)GO: Teoria – Literatura – Kultura
|
2002
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issue 4
EN
Jacek Mydla's review of "A Time of Memory" by Charles E. Scott (1999).
7
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Performing Shakespeare’s Words: Textual Authority in Light of the Theory of Indeterminacy

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Mydla J.
Multicultural Shakespeare: Translation, Appropriation and Performance
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2018
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vol. 17
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issue 32
35-50
EN
On the basis of Roman Ingarden’s conceptions of indeterminacy and concretization and the notion of spoken action, Jacek Mydla constructs the idea of textual authority in Shakespeare’s drama. The text is regarded as the primary source of meaning which determines theatrical representation. When reading a play actively, the reader fills out areas of indeterminacy in an attempt to build a faithful imaginary representation of the action. The thus reconstructed social mimesis can then be transferred onto the stage. Mydla argues for the precedence of textual over theatrical concretizations of Shakespeare.
8
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Zjadanie innego. Symboliczny kanibalizm w umysłowości zachodniej

100%
Mydla J.
ER(R)GO: Teoria – Literatura – Kultura
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2003
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issue 7
EN
Jacek Mydla's review of "Cannibalism and the Colonial World," edited by Francis Barker, Peter Hulme and Margaret Iversen (1998).
9
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Akwinata, Kaliban i Piętaszek na wspólnym bankiecie? Ścieżki i bezdroża antykanibalizmu

100%
Mydla J.
ER(R)GO: Teoria – Literatura – Kultura
|
2003
|
issue 7
EN
Jacek Mydla Aquinas, Caliban and Friday at a cannibalistic bonfire? The vagaries of the theology of anti-cannibalism. The essay sets out to explore the ideological dispute over cannibalism during the Wars of Religion in its contemporary academic treatment. A special focus of interest is on the theological and metaphysical involvement of the contemporary discourse of cannibalism, represented here by two recent publications: Cannibals by Frank Lestringant (1994) and Cannibalism and The Colonial World (1995), a collection of essays edited by Francis Barker, Peter Hume, and Margaret Iversen. A glance at the recent discourse of cannibalism makes it possible to label it “Protestant" as opposed to “Catholic". References to the religious dispute over transubstantiation, and linguistic reformulations of the theological dilemmas do little justice to the metaphysical traditions on which the Catholic dogma originally rested. The much-discussed imputed allegorisation and symbolisation of the Eucharist corresponds to the allegorisation and symbolisation of the cannibal, characteristic of the colonial experience and its cultural appropriation in the Western world, is itself ridden with ambiguities. revealed in attitudes that scholars display towards religious controversies.
PL
Jacek Mydla Aquinas, Caliban and Friday at a cannibalistic bonfire? The vagaries of the theology of anti-cannibalism. The essay sets out to explore the ideological dispute over cannibalism during the Wars of Religion in its contemporary academic treatment. A special focus of interest is on the theological and metaphysical involvement of the contemporary discourse of cannibalism, represented here by two recent publications: Cannibals by Frank Lestringant (1994) and Cannibalism and The Colonial World (1995), a collection of essays edited by Francis Barker, Peter Hume, and Margaret Iversen. A glance at the recent discourse of cannibalism makes it possible to label it “Protestant" as opposed to “Catholic". References to the religious dispute over transubstantiation, and linguistic reformulations of the theological dilemmas do little justice to the metaphysical traditions on which the Catholic dogma originally rested. The much-discussed imputed allegorisation and symbolisation of the Eucharist corresponds to the allegorisation and symbolisation of the cannibal, characteristic of the colonial experience and its cultural appropriation in the Western world, is itself ridden with ambiguities. revealed in attitudes that scholars display towards religious controversies.
10
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The Fertility of the Supernatural: Stuart Neville’s ”The Ghosts of Belfast”

100%
Mydla J.
Lublin Studies in Modern Languages and Literature
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2019
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vol. 43
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issue 2
DE
Der Artikel enthält Zusammenfassungen nur in Englisch.
EN
In The Ghosts of Belfast (2009), spectres of the conflict’s victims haunt Gerry Fegan, a former “soldier” and assassin. Picking up the metaphorical cue from the epigraph to Neville’s novel – “the place that lacks its ghosts is a barren place” – the article addresses the thriller’s supernatural content. The meaning and role of the titular ghosts have been in part determined by Neville’s debt to the Western traditions of making sense of the supernatural. However, they assume new roles within the narrative and possibly also in the author’s vision of the peace process: i.e. in keeping Northern Ireland “fertile”.
FR
L'article contient uniquement les résumés en anglais.
11
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The Gaze of the Spectral Setting in the 1968 BBC Adaptation of M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”

63%
Mydla J., Keithline A.
Avant
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2017
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vol. 8
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issue 2
EN
This article is a study devoted to the BBC adaptation of a ghost story by Montague Rhodes James, “Oh, Whistle and I’ll Come to You, My Lad.” The ideas of the spectral gaze and sympathetic spectreship are used to submit that in the film the setting itself is the spectre, with which/whom the viewer is invited to identify. This rearrangement-in comparison with the situation in the original story-casts the spectral setting both in the role of the haunting presence and the victim of an otherworldly (human) intrusion. A detailed analysis of the use of the camera supports the argument.
12
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The Gaze of the Spectral Setting in the 1968 BBC Adaptation of M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”

63%
Mydla J., Keithline A.
Avant
|
2017
|
vol. 8
|
issue 2
EN
This article is a study devoted to the BBC adaptation of a ghost story by Montague Rhodes James, “Oh, Whistle and I’ll Come to You, My Lad.” The ideas of the spectral gaze and sympathetic spectreship are used to submit that in the film the setting itself is the spectre, with which/whom the viewer is invited to identify. This rearrangement-in comparison with the situation in the original story-casts the spectral setting both in the role of the haunting presence and the victim of an otherworldly (human) intrusion. A detailed analysis of the use of the camera supports the argument.
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