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František Hrubín (1910–1971) exemplified a distinctive type of lyricism in Czech literature starting in the 1930s, with melody and metaphor serving as the hallmark characteristics of his lyric style. Lyric etudes gradually transformed into lyric-epic ballads over time. Hrubín’s lyric principles reflected his personal, historical, and axiological context. His prose and drama explore the theme of the journey from life to death, presenting various temporal concepts such as the coexistence of multiple temporal layers and temporal overlaps. As a result, our understanding of the present is shaped by memory and recollection, juxtaposing the fleeting with the eternal. The lyric subject evolved into a lyric representative or speaker, which is evident in Hrubín’s lyric-epic works, the characters in his plays, and the narrators in his prose. Hrubín’s lyric landscapes, oscillating between urban and rural settings, unveil a liminal conception of the lyric that blurs the boundaries between documentary and contemplative lyric.
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