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Z rodziną najlepiej wychodzi się z siebie

100%
Kurz I.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 167
289-295
PL
Nowy Teatr w Warszawie Trzy epizody z życia rodziny reżyseria: Markus Öhrn, dramaturgia: Myra Åhbeck Öhrman; muzyka: Michał Pepol, maski: Makode Linde premiera: 19, 20, 21 listopada 2021
2
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Mapa miasta jako konstrukt pamięci. Na przykładzie pamięci o Powstaniu Warszawskim we współczesnej Warszawie

100%
Kurz I.
ER(R)GO: Teoria – Literatura – Kultura
|
2006
|
issue 13
EN
Iwona Kurz City Map as a Memory Construct. Remembering Warsaw Uprising in Contemporary Warsaw Contemplating the social and historical significance of the Warsaw Uprising and its 60th anniversary, the article points to a silent ever-presence of the event's painful reminders in the city's contemporary landscape, which - though seemingly erased from the map of everyday trivia and the city's obsessive mobility - still appear and re-appear in the background of every-day actions and as such constitute the historical unconscious of the celebrated 2003 Warsaw movie. The key point of the article revolves around the anniversary's celebrations, which, due to their scale and sophistication, rearranged the ordinary space of Warsaw turning it, through repetition and experience, into a space of "bleeding memory." This particular balance between dramatic past and its contemporary re-enactment not only introduces what Marianne Hirsch calls "post-memory," but also, if not in the first place, it provides one of the crucial cornerstones of national identity.
PL
Iwona Kurz City Map as a Memory Construct. Remembering Warsaw Uprising in Contemporary Warsaw Contemplating the social and historical significance of the Warsaw Uprising and its 60th anniversary, the article points to a silent ever-presence of the event's painful reminders in the city's contemporary landscape, which - though seemingly erased from the map of everyday trivia and the city's obsessive mobility - still appear and re-appear in the background of every-day actions and as such constitute the historical unconscious of the celebrated 2003 Warsaw movie. The key point of the article revolves around the anniversary's celebrations, which, due to their scale and sophistication, rearranged the ordinary space of Warsaw turning it, through repetition and experience, into a space of "bleeding memory." This particular balance between dramatic past and its contemporary re-enactment not only introduces what Marianne Hirsch calls "post-memory," but also, if not in the first place, it provides one of the crucial cornerstones of national identity.
3

Odrodzona, głodna, wolna. Dzienniki Susan Sontag (I)

100%
Kurz I.
Res Publica Nowa
|
2013
|
issue 1
118-121
EN
A review of the Susan Sontag's Diaries from 1947–1963. Acording to author Diaries are rather sketch than a portrait of Sontag. She is creating herself in process of writing, documenting harsh realationships, discovering her identity and constantly, stubbornly intelectualy improving herself.
4
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Wstęp. Kulturowe przedstawienia sportowe. Sport. I co z tego? Co widać w przedstawieniu sportowym

63%
Kurz I., Kubkowski P.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
|
2017
|
vol. 94
|
issue 1
10-14
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