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Поетика романтичноï монокультурностi та питання дiалопчностi

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Bracka M.

Acta Polono-Ruthenica

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2009

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vol. Tom 1 Nr XIV

37-45

EN

The article presents the description of specific character of Polish and Ukrainian literature of romanticism - from one side him monocultural, but from the second - dialogism. Identically Polish romantic literature, as well as Ukrainian, gave advantage cultivation of own cultural, linguistic traditions, aspired to the recreation of own picture of the world, monofonism. But as a result of different type of geographical, political, administration, public factors there are processes of contacts and imposition of national cultural spheres, in that literary, created „boundary areas”, that is different commented through researchers. It were analysed concepts „boundary areas”, „dialogism”, „polyfonism” taken from a M. Backhtin’s esthetic and literary theory to interpretation of inheritance „Ukrainian school” in romantic Polish literature.

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Локальний мiф у npoзi українсько-польського пограниччя XIX столггтя

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Bracka M.

Acta Polono-Ruthenica

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2011

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vol. Tom 1 Nr XVI

323-338

EN

The article examines selected works by representatives of the Polish-Ukrainian literary borderlandof the nineteenth century (Michal Czajkowski, Michal Grabowski, Zenon Fisz and PaulinSwiecicki) for the presence of these elements in a local myth. The definition of myth, its determinantsand functions assumed by Ernst Cassirer’s and Mircea Eliade’s conception, which, as seems,to best reflect the nature and structure of local myth, recorded in the works of these writers.Selected and described such elements of local myth, as its reproducibility, dichotomy character,sacred and Christian folklore and timelessness. It was shown, that in order to create this mythmade reinterpretation of history, reality combined with imagination, literature with folklore, pagancustoms with Christian faith.

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Реалicтична картина руйнацïï польсько-украïнськоï пограничноï спiльноти у драмi Леонарда Совiнського На Украгïнi

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Bracka M.

Acta Polono-Ruthenica

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2008

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vol. Tom 1 Nr XIII

19-27

EN

The figure of Leonard Sowinski (1831-1887) - poet, novelist and dramatist from the second half of the 19th century - oscillates in between social states, national cultures and literary periods. Born in the house of Polish nobleman and Ukrainian peasant-woman, living in the Ukraine studying at the University in Kiev, he combined two cultural environments. He started his artistic career in times when romantical ideals were still intense, but at the same time the voices of the new generation were getting louder and louder. Such a characteristical duality of outlook has helped Sowinski in creating a play Na Ukrainie (1873), in which he has shown all social stratum of the Ukraine (baronage, young democratical Polish nobles, Ukrainian intellectuals, the representatives of the Russian authorities) and their participation in January uprising in the Ukraine. The above-mentioned play is a testimony of a new stage in evolution of social and national relations on the former Polish borderland. It visualizes the annihilation of patriarchal noble order, a split of the imaginary idyllic Polish-Ukrainian community created by the first Polish romanticists of the „Ukrainian school”, a change of the Polish national spirit formation. It also shows the germs of the Ukrainian nation, which was built on their own land by means of other dominant nations. The created vision is both tragic and realistic.

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Поетика романтичноï монокультурностi та питання дiалопчностi

Локальний мiф у npoзi українсько-польського пограниччя XIX столггтя

Реалicтична картина руйнацïï польсько-украïнськоï пограничноï спiльноти у драмi Леонарда Совiнського На Украгïнi