Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 7

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Przybrany ojciec. Czesław Miłosz w Chinach

100%
Krenz J.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2021
|
issue 40
53-97
EN
Czesław Miłosz remains among the most important foreign authors and literary authorities for Chinese poets. Initially received in China with distrust and uncertainty, then portrayed in the official state discourse of romantic-revolutionary literature as the bard of socialism, Miłosz became the spiritual father of the younger generation affected by the Cultural Revolution and Tiananmen Square Massacre, a witness of the age, and a symbol of intellectual independence and resistance against totalitarianism. After a period of reading Miłosz in terms of ethical and political categories, Chinese reviews and literary texts in the 2010s and 2020s increasingly refer to Miłosz as philosophical and metaphysical poet. This article analyses Miłosz’s reception in China, paying attention to the historical, cultural, and linguistic factors that shaped the assimilation of his work and the values he brought to Chinese poetry.
2
Publication available in full text mode
Content available

Rozmyślania sandomierskie Kaspra Drużbickiego na tle tradycji platońskiej i neoplatońskiej

100%
Krenz J.
Poznańskie Studia Teologiczne
|
2011
|
issue 25
293-323
EN
The article analyzes Rozmyślania sandomierskie (Sandomierz Meditations) by Kasper Drużbicki, a 17th century Jesuit. The text, which was probably read out during a monastic retreat, borders on homiletics and mystical writing. The author of the present article interprets it through the prism of strongly marked elements of Platonic and Neoplatonic tradition and tries to reconstruct the spiritual, philosophical and linguistic phenomena occurring at the interface of the physical and metaphysical spheres, among others the way symbols function, the shaping of the semantics of words, instability of the category of time, mutual permeation and complementation of the fields of esthetics and anesthetics. There are numerous references to philosophical writings and contemporary contexts within the theory of literature but their purpose is not so much to bring out factographical or historical dependencies or the existence of conscious intertextual references but rather to provide a detailed and multifaceted depiction of the main themes of Drużbicki’s work also in an attempt to elicit on these grounds certain general regularities in the history of human thought and religion.
3
Publication available in full text mode
Content available

Recenzja: Heather Inwood. 2014. Verse Going Viral: China’s New Media Scenes. Seattle and London: University of Washington Press, 274 strony.

100%
Krenz J.
Studia Azjatystyczne
|
2016
|
issue 2
152-160
4
Publication available in full text mode
Content available

NARODZINY AWANGARDY. LATA OSIEMDZIESIĄTE JAKO DEKADA ZWROTNA W POEZJI CHIŃSKIEJ

100%
Krenz J.
Porównania
|
2018
|
vol. 23
|
issue 2
297-316
EN
The paper sketches the history of Chinese poetry in the 1980s, taking into account transformations of implicit and explicit poetics, social-political context, and interpersonal and institutional relations between various actors on the dynamically changing poetry scene of the Middle Kingdom. It is in the 1980s that the structures of the Chinese contemporary poetry scene were substantially shaped, and the most consequential ruptures began to appear. In the following two decades, these were to result in deepening conflicts between authors which culminated in a famous national poetry conference in the Panfeng Hotel in Beijing in 1999. Their legacy has carried until today.
PL
Artykuł stanowi zarys losów poezji chińskiej w latach osiemdziesiątych XX wieku, z uwzględnieniem przemian zachodzących w języku poetyckim, zagadnień poetyki sformułowanej, kontekstu socjopolitycznego, a także stosunków interpersonalnych i instytucjonalnych między aktorami na dynamicznie ewoluującej w tym okresie scenie poetyckiej Kraju Środka. To właśnie w latach osiemdziesiątych zaczęły kształtować się jej struktury i zalążki najdotkliwszych podziałów, które w kolejnych dekadach skutkować miały pogłębiającym się rozłamem wśród autorów i konfliktami, których kulminacja nastąpiła w 1999 roku podczas legendarnej już konferencji poetyckiej w pekińskim hotelu Panfeng. Tekst ma pełnić funkcję swego rodzaju przewodnika po poetyckiej krainie rzek i jezior, jak nazywają chińscy poeci i komentatorzy życia literackiego tę szczególną część chińskiego pola produkcji kulturalnej, i przygotować grunt dla polskich badaczy, którzy chcieliby zająć się najnowszą poezją chińską.
5
Publication available in full text mode
Content available

OŚWIĘCIM, TANI CHLEB I ZIEMNIAKI W RANACH. POLSKA OCZAMI CHIŃSKICH POETÓW

100%
Krenz J.
Porównania
|
2019
|
vol. 24
|
issue 1
213-230
EN
The paper analyzes representations of Poland in contemporary Chinese poetry. The author sketches the beginnings of the poetic dialogue between China and Poland which date back to the early 20th century and the history of these interactions until the late 1980s to focus subsequently on three works written after the year 1989: Yi Ping’s “Oświęcim, Spring, and Resurrection”, Wang Jiaxin’s “On the German-Polish Border”, and Lei Pingyang’s “Poems from Poland”. The reflection centers not as much on how the Chinese poets depict Poland as on what these images tell of the Chinese poets themselves. The Poland that emerges from their writings is an alternative space in which they can safely engage in discussions concerning their own history and tradition, settling with the mistakes, myths, and utopias of China’s cultural past.
PL
Artykuł stanowi analizę obrazów Polski we współczesnej poezji chińskiej. Autorka kreśli początki poetyckiego dialogu między Chinami a Polską, przypadające na pierwsze lata XX wieku, oraz przebieg owego dialogu do końca lat osiemdziesiątych, by następnie skupić się na trzech utworach napisanych po 1989 roku: Oświęcim, wiosna i zmartwychwstanie Yi Pinga, Na granicy niemiecko-polskiej Wang Jiaxina oraz Wierszach z Polski Lei Pingyanga. Refleksja koncentruje się nie tyle na tym, jak przedstawiają Polskę poeci chińscy, ile na tym, co obrazy te mówią o nich samych i rzeczywistości kulturowej, z której się wywodzą. Esej ukazuje Polskę jako alternatywną przestrzeń, w której autorzy z Kraju Środka mogą swobodnie podjąć dyskusję z własną historią i tradycją, dokonując rozrachunku z błędami, mitami i utopiami przeszłości.
6
Publication available in full text mode
Content available

Asymptotic Freedom: Child-Authored Poetry from China

100%
Krenz J.
Rocznik Orientalistyczny
|
2023
|
issue 1
102-175
EN
Child-authored poetry is one of the most remarkable and fascinating phenomena in the contemporary Chinese poetry world. However, for all its immense popularity among Chinese readers and attractivity for professional, adult poets, due to its unclear ontological status and lack of well-proven methodological tools that would be easily applicable to it, it has thus far remained beyond the scope of literary-critical and scholarly interests. The present paper offers a broad panoramic view of Chinese children’s poetry through six case studies of individual young authors and collective initiatives aimed at the artistic activization of certain groups of children, discussing the educational and social significance of children’s poetry writing, its complicated reception patterns, as well as its entanglement with various literary-political discourses. Subsequently, the study delves into the aesthetic, conceptual, and philosophical aspects of children’s works. The final part analyses the essential theoretical-philosophical questions that child-authored verse asks with regard to poetry at large, prompting us to rethink notions such as authorship or “poeticness” and the definition of poetry per se. The author proposes the metaphor of asymptotic freedom to illustrate how marginal phenomena of questionable status contribute to maintaining the distinctness and coherence of the field of poetry as a whole.
7
Publication available in full text mode
Content available

Literatura polska w oczach Chinki polonistki. Z Li Yinan rozmawiają Elżbieta Winiecka i Joanna Krenz

63%
Krenz J., Winiecka E.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2021
|
issue 40
231-240
EN
The article presents the dynamics, characteristics and the shifting paradigms of the reception of Polish literature in China from 2012 to 2020. The author analyses the reasons for the popularity of the most often translated and read Polish authors on the Chinese publishing market, with particular interest in Czesław Miłosz, Olga Tokarczuk and Andrzej Sapkowski. She also presents the translators – both experienced and often recognised and awarded doyens of Polish studies in China, and those from the intermediate and youngest generations to whom the oldest ones passed the knowledge, skills, passion and the sense of common mission of building cross-cultural dialogue through literature.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.