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PL
This attempt at interpretation is made in the metacontext of the “humanization of non-being” syndrome, as represented in Chekhov’s play The Seagull. This metacontext defines itself as part of the explosive meeting of Russian mental culture (crossing, abandoning…) and the concept of an underwater current accumulating energy, resulting in internal catharsis. The basis of such dynamics, with a vector oriented toward the transformation of an engaged recipient, created the opportunity of perceiving Marina Tsvetaeva’s life and work through the prism of the phenomenon of being doomed to inexhaustibility in its artistic and research-like manifestation. As part of such a methodological approach and this interpretative attempt, the following research problems, anticipating the studies of Tsvetaeva’s work, can be proposed: 1. The drama of an androgyne which is typical of our epochal thinking and which is manifested in M. Tsvetaeva’s act of creating being; 2. The phenomenon of being doomed to inexhaustibility in the context of looking for a name for the paradigm of contemporary tragedy.
PL
In accordance with theatrical and cinematographic experiments, in the space of model extensive complexity of Dostoyevsky's text, immanent readiness of the verbal material to transform into another type of artistic expression in order to reveal mentally meaningful operations inflicted by the initial impulse of adapted reality can define itself as a distinctive factor of the forming function of the word of the Russian master in the contemporary culture.
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Noty o Autorach

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PL
Noty o Autorach
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