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1

GREEK CATHOLIC AND ORTHODOX SHRINES IN THE POLISH PEOPLE’S REPUBLIC AS EXAMPLES OF DESTROYING AND SAVING THE CULTURAL HERITAGE OF THE FRONTIER

100%
Drozd R.
Muzeológia a kultúrne dedičstvo
|
2021
|
vol. 9
|
issue 4
85 - 97
EN
The shrine constituting the centre of spirituality was inseparable from the religious life of the Ukrainian people. The deportations of Ukrainians from the south-east of Poland in 1944–1947 exposed their churches to intentional and unintentional devastation. The communist authorities aimed to erase the traces of Ukrainian people in that area therefore they were not interested in preserving the abandoned Greek Catholic shrines. What is more, they even encouraged their demolition. One way to save them was allowing them to be taken over by the Roman Catholic Church. However, it often involved a change to their interior décor. The best solution was allowing them to be taken over by the Orthodox Catholic Church, or transferring them to open-air museums as museum objects.
2
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UKRAINIAN COMMUNITY IN POLAND IN THE CONTEXT OF POLISH-UKRAINIAN DIALOGUE

100%
Drozd R.
Ars inter Culturas
|
2018
|
vol. 7
17-34
EN
The Ukrainian community in Poland has actively participated in the process of Polish- Ukrainian dialogue and reconciliation. Tragically experienced due to the Polish-Ukrainian conflict during the Second World War and displacement to the Soviet Ukraine and within the “Vistula” Action, the majority of the community’s members understood that if they want to live in harmony with Polish neighbours, they should join the Polish-Ukrainian historical dialogue. Hence the initiatives and gestures of reconciliation, supporting the actions of the Polish and Ukrainian authorities in this direction and the hierarchies of churches in Poland and Ukraine. This dialogue, however, encountered resistance from Polish and Ukrainian nationalist circles, who blame the other side for the harm they suffered.
3

EXTINCTION OF THE UKRAINIAN CULTURE OF THE POLISH-UKRAINIAN-SLOVAK BORDERLAND AND THE IMAGE OF THE “UKRAINIAN BANDERITE” IN POLISH AND CZECHOSLOVAK LITERATURE, JOURNALISM AND CINEMATOGRAPHY, MID-1940S–1980S

63%
Drozd R., Šmigeľ M.
Muzeológia a kultúrne dedičstvo
|
2020
|
vol. 8
|
issue 2
91 – 116
EN
The aim of this study is to outline the process of the extinction of Ukrainian culture in south-eastern Poland as a result of Polish resettlement actions and the activities of the Ukrainian underground movement (i.e., the Ukrainian Insurgent Army) in the post-war period (1944–1947). Concurrently, the study offers an analysis of the image of the “Ukrainian Banderite”, created by propaganda in Polish and Czechoslovak literature, journalism, and cinematography in the period from the mid-1940s to the end of the 1980s. The authors state that both in Poland and in Czechoslovakia the analysed topic has been subject to certain cyclical waves of interest, or current political demand or usefulness, but always according to an established and politically accepted template. The black-and-white reception of the issue, propaganda fictions, the concealment of facts, and the disproportionate highlighting of others, which were applied in the literary and film production of the real-socialist period, only distorted the historical objectivity of the issue and created a complicated stereotype in the collective memory.
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