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  1. 2 Musicologica Slovaca et Europaea

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  1. 2 Podpera R.

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  1. 1 2006

  2. 1 2005

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1

HUDBA V SÚČASNEJ LITURGII AKO PREDMET VÝSKUMU: STRATIFIKÁCIA, DETERMINANTY ROZVOJA

100%
Podpera R.
Musicologica Slovaca et Europaea
|
2006
|
vol. 24
7-57
EN
The complexity of surround of contemporary liturgical music in Slovakia is clarified. Numerous of current phenomena are casual deep-rooted in the past, so for their understanding it is necessary to return to the historical, social and another connections. Interest of the problems lies in intersection of three phenomenon: constantly topical reflection of liturgical reform of the Second Vatican Council, the experiences from period of communism and life and institutions of a plural postmodern world. The author explains the determinants of liturgical music advancement and formulates hypothesis for another research. He also describes the changes of liturgical music paradigm in attitude of the official Church, new conditions for fostering of the liturgical and spiritual music in Slovakia and universal relations of the globalization influences.
2

POZNÁMKY K FORMOVANIU HUDOBNEJ KULTÚRY A FUNKCIÍ HUDBY PROSTREDNÍCTVOM MÉDIÍ

100%
Podpera R.
Musicologica Slovaca et Europaea
|
2005
|
vol. 22
9-24
EN
The study does not aim at statistical evaluation of the frequency of musical representation in mass media. Its goal is to capture in qualitative terms the important phenomena in this sphere of contemporary culture. They include links between culture and the market, mass character of the arts, musical fetishism, dual character of manifest and latent functions of music in the media and the new conditions for creativity and production. Although music is often presented in the media in a discrediting way, we believe that in many other cases music will defend and preserve its artistic independence. Mass media lead modern people to tolerance: media guide him to be open to everything what arouses interest, what broadens musical horizons and musical experience. The studied social phenomena like age, sex, and especially education, upbringing and social background, point to a common problem: the capacity of a listener to select or to regulate musical consumption.
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