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Schulz/Forum
|
2020
|
issue 15
159-161
PL
A short commentary by the discoverer of two German-language “frontline” stories by Bruno Schulz: “Pfennig mit dem Auge” and “Du bist Staub. Kriegskizze,” that appeared in 1917 and 1918 in the Cetinjer Zeitung, published in Montenegro occupied by the Austro-Hungarian army. The newspaper was issued twice a week in German, though occasionally Hungarian, Croatian, and Albanian editions were published too. The articles it included were usually tributes to the Emperor’s throne or reports on the current situation on the front. Each Sunday issue included also a cultural section titled Illustrierte Cetinjer Zeitung. Most contributors were young people who presented their works to the public for the first time. Still, the editors cared to print also the texts by such authors as Anton Chekhov, Oscar Stjerne, Herman Hesse, Ferenc Molnár, Arkady Averchenko, Ivan Vazov, Maria Luisa Becker, and Max Osborn. Both stories signed with the name “Bruno Schulz” were found during research at the Österreichische National Bibliothek.
2
100%
Schulz/Forum
|
2020
|
issue 16
194-214
PL
A report on research conducted in Vienna and Lviv archives to locate information on Debora Vogel’s family and her young years: her exile in Vienna in 1914–1918, her education at the Realgymnasium at Albertgasse 38 (one of Vienna’s best and most modern educational institutions), and her studies at the John Casimir University (Pol. Uniwersytet Jana Kazimierza) in Lviv in 1919–1924. The documents and facts presented in the article contribute to a reconstruction of the historical and cultural context in which the future writer’s mind was formed. Records such as school registers and Vogel’s student book also give an insight into the process of crystallization of her specific interests, which were later developed in her literary and critical work. Considering her tragic fate, in the case of Deborah Vogel, every new finding is particularly significant.
Muzyka
|
2020
|
vol. 65
|
issue 4
171-181
EN
During my work on the film Wielkie Galicjanki (‘Great Galician women’), devoted to women born in the historical territory of Galicia (Halychyna) at the turn of the twentieth century and associated with the city of Vienna, I came across documents and information concerning the life of the eminent Lviv-born Polish musicologist Zofia Lissa, held in Austrian, Ukrainian and Polish archives. These sources mostly concern her childhood and youth. The numerous previously unknown or unpublished documents described in this article have made it possible to reveal or revise information relating to Zofia, as well as her parents, sister, grandparents and relatives on her mother’s side, and also to the period preceding her birth. Most importantly, my archive research has made it possible to correct the hitherto inaccurately given date of Zofia Lissa’s birth.
PL
Autor artykułu, przygotowując się do realizacji filmu pt. Wielkie Galicjanki, poświęconego kobietom urodzonym na przełomie XIX i XX w. w Galicji i mającym związki z Wiedniem, natknął się, w różnych archiwach w Austrii, na Ukrainie i w Polsce, na szereg dokumentów oraz informacji dotyczących życiorysu wybitnej, urodzonej we Lwowie muzykolożki polskiej, Zofii Lissy. Mowa tu o faktach związanych przede wszystkim z okresem jej dzieciństwa oraz młodości. Szereg opisanych w artykule nieznanych wcześniej bądź też niepublikowanych dotąd dokumentów pozwoliło przedstawić nowe bądź skorygować dotychczas funkcjonujące dane na temat Zofii oraz jej najbliższej rodziny – rodziców, siostry, dziadków i krewnych ze strony matki, a także informacji związanych z okresem poprzedzającym jej przyjście na świat. Przede wszystkim wyniki kwerend przeprowadzonych przez autora pozwoliły na podanie, błędnie dotąd podawanej, prawdziwej daty urodzin Zofii Lissy.
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