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EN
The article proposes to look at the idea of the infinity from the perspective of a French philosopher, Gaston Bachelard. His theory concerning the four elements is one of the twentieth century’s most interesting elementary concepts. The aim of this work is to show a manifest link between the notion of the infinity and its realizations (materializations) on the physical plane, that is to say Bachelard’s water and air. Both of these elements represent their own, specific kind of infinity, which is nonetheless very close to a man, because not only conceivable but also present in everyday life. Every single contact with the element is a touch of infinity.
PL
The article proposes to analyze the semantic network of the noun “milk” in the corpus comprised of seven novels by Claude Simon wrote after 1957, in a period of his fascination with formal experiments, and published by Editions de Minuit. Interest of the paper is focused on the representation of human being (especially of women) as an organism with milky traits which connects it closely to the aquatic element. The reflections on the watery character of man are based on the work of French philosopher Gaston Bachelard and his conception of the four elements.
EN
The article proposes the analysis of different types of agony suffered by living beings as a re­sult of contact with the element of Earth. The study is based on a corpus composed of seven novels by Claude Simon written after 1957, in a period of his fascination with formal experiments, and pu­blished by the Éditions de Minuit. The paper focuses on the representation of human body exposed to an evil influence of the Earth as element. Earth is considered as an anti-maternal force and a major destructive agent in Simon’s universe. The reflections on the telluric character of death are inspired, among others, by Gaston Bachelard’s thematic criticism and his conception of the four elements.
EN
The paper presents an overview of romanistic research on the occasion of Romanica Wratislaviensia’s fiftieth anniversary. In as much as the revue has undergone several transformations over the years, the Wratislavian romanists consequently could not escape a certain evolution. The transition of their domains of research, their careers, all these changes are inscribed on the pages of Romanica Wratislaviensia. Therefore, the aim of the article is to sketch the landscape of philological research which emerges from the contributions published in the revue, from its founding in 1968 to its last issue in 2016. We will consider the extent to which the identity of a philologist emerging from the numerous publications in Romanica Wratislaviensia fits with the historical definition of a philologist.
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