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Since long times ago, the artists of Lorestan, have been earning their livelihood through making various types of handicraft a valuable art piece deeply rooted in the province’s history called nickel silver crafts. In Farsi, varsho is actually the word ‘War-saw’. What is the reason for such labeling of these works of art in the Qajar and Pahlavi periods in Iran? Lorestan artists in Borujerd town created such magnificent art at that time. We still don’t know the reason for this naming, but one thing is clear, such metalwork is part of the history of art in both Poland and Iran.
EN
This study is going to introduce one of the unique and less known Parthian sword which have not been released to public for purpose of exhibit and study so far.
EN
In general the Slavic languages has a lot in common with old Iranian languages. As Polish language and some Iranian languages are a branch of the Indo-European language family. The similarity between two languages seems to be possible. This brief note could give new insight in Indo European cultural relations.
EN
Barz Qawaleh (also known as Bard Qawela or “Barz-Q” town) is an ancient site located in the vicinity of the village of Ramavand in Iran, in the Kounani region of the Seymareh river basin. The ancient site should be considered as one of the largest and most important Sassanian settlements in Lorestan, Iran. The present paper and accompanying photographs introduce some elements of the stucco decorations discovered at Barz Qawaleh, which constitute remarkable evidence of Sassanian art. Apart from introducing the findings from archeological, this paper offers some interpretations of the motifs and designs represented by the stuccos, some of which may be found also in materials from other Sassanian sites in Iran and Mesopotamia.
EN
The article describes a series of finds of Parthian military items in the graves and crypts of Vestemin in northern Iran. These findings are especially significant as they provide an array of discoveries of military equipment: swords, daggers, spearheads,arrowheads, armor and a possible helmet. This study obliges a revision of Winkelman’s observation that “few finds of weapons have been made inside Iran” with respect to Parthian military equipment. In an overall sense, these findings may prove to be as significant to the domain of Parthian military studies as the well-known site of Dura Europos. The excavations have also discovered a coin of Philip the Arab or his son from the earlySasanian era which has assisted the authors’ dating of the Vestemin site. The site of Vestemin is not exclusively a burial venue as the site also has defense works as well as a fortress dated the later Parthian era c. 1st century BCE to 3rd century CE).
EN
This article examines Sasanian military architecture with respect to its integration with the four-region Spāhbed system (Ādurbādagān-Spāhbed, Xwarāsān-Spāhbed, Xwarbārān-Spāhbed and Nēmrōz-Spāhbed) for defending the empire. Following an overview of Sasanian military architecture within Iran, the article examines the Darband wall of the Caucasus in the context of the office of the Ādurbādagān-Spāhbed facing the empire’s north and northwest (Ādurbādagān, Media Atropatene corresponding with the historical Azerbaijan in Iran’s northwest), the Tammisha and Gorgan wall systems of the Xwarāsān-Spāhbed facing the nomadic warrior peoples of the Central Asia, the military architecture of the Xwarbārān-Spāhbed facing the western (Romano-Byzantine) frontiers, and the Khandaq-e Shapur of the Nēmrōz-Spāhbed facing the southwest, notably raiders from the Arabian Peninsula threatening the empire’s southwest marches.
EN
This article examines recent archaeological excavations with respect to two Parthian reliefs and an examination of Parthian blade weapons (swords, daggers). The first archaeological site examined is the late Parthian or early Sassanian cavalry motif in the town of Koohdasht in western Iran’s Lorestan province. The Koohdasht motif is comparable to late Parthian and early Sassanian cavalry reliefs such as the Parthian relief of Gōdarz II in Bīstūn and Sassanian reliefs such as those of Ardašīr I in Fīrūzābād and the Sassanian cavalry relief panels in Naqš-e Rostam. The second site pertains to the recent discovery of the Parthian relief at Andika in Khuzestan depicting a Parthian nobleman lying sideways, leaning on his left elbow, as he holds a branch with his left hand. The theme of the Andika relief has parallels with Tang-e Sarvak (Block II) and the Tina mountain relief in Khuzestan. The third domain, which pertains to Parthian militaria is an examination of late Parthian swords and daggers housed in the Iran Bastan Museum in Tehran.
EN
Tomb of Māhūr is located at a village called Mahur Berenji, district of Sardasht a part of Dezfūl, Khuzestan province, Southern Iran. This tomb has been discovered by Karamian and Astraki in 2018. There is a four-legged cross symbol in the above part of the tomb entrance.
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