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Lizbona – stolica europejskiego street artu(?)

100%
Ziomek M.
Postscriptum Polonistyczne
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2018
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issue 1 (21) Pomiędzy Polską, Portugalią i Brazylią. Literatura – kultura – język – edukacja
85-94
EN
The aim of the article is to present a variety of street art in Lisbon. Due to the activity of Galeria de Arte Urbana (GAU) the Portuguese capital has become an important and interesting place on the European map of street art. GAU promotes legal activities and tries to liven up the city space. GAU not only coordinates the creation of new works, but concentrates on education, documentation and publishing activity as well, aiming at popularising the idea of street art.
2
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O przekładach Boskiej komedii Dantego na język rosyjski

100%
Ziomek M.
Między Oryginałem a Przekładem
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2014
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vol. 26
151-158
EN
The article attempts to present the most significant translations of Dante’s The Divine Comedy into Russian. The translations of the poem functioning in Russian literary culture form a kind of a system of communication acts, in which the translation by Mikhail Lozinsky occupies the central place. This is because, on the one hand, this translation invalidates the earlier attempts at adapting The Divine Comedy for the Russian audience while on the other hand constituting a stylistic point of reference for later translations done by Alexander Ilyushin and Vladimir Marancman. Each of the translations demonstrates the diversity of possible interpretations of the original in another language.
3
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Neokantyzm Fiodora Stiepuna

100%
Ziomek M.
Estetyka i Krytyka
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2012
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issue 4(26)
287-294
XX
In this article I attempt to analyse Fyodor Stepun’s philosophical essay Life and Creative Activity. This treatise is in fact the thinker’s only strictly philosophical work. In his works the Russian philosopher frequently stressed the role and importance of Immanuel Kant in the development of philosophy, yet he suggested the necessity of going beyond the limits of critical philosophy. As the author intended, the essay Life and Creative Activity was the first attempt to sketch a philosophical system, which would attempt to defend and justify the idea of religious philosophy on the grounds of critical philosophy. In my article I try to describe Stepun’s philosophical idea (the philosophy of absolute) which is based on the analysis of the concept of mystical experience, whose two poles are: life (experiencing unity) and creative work (experiencing multiplicity).
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