In 1870, Wilhelm Richard Wagner (1813-1883) wrote an essay to celebrate the centennial of Beethoven’s birth. In this essay Wagner made the case that music is, unlike any other object we create or are attentive to in experience, in an immediate analogical relationship with the activity of the Schopenhauerian “will” and is always enlivened. By drawing on this idea, we can not only conceive of music as in an immediate analogical relationship with our personal experience, but as perhaps the only object of cognition that is in a constant state of personal vitality. It is by that very continuous vitality that it can return us to our own personhood with deeper insight and perspective. The essay concludes by exploring how attending to the musical object as a spiritual (existential) exercise might reconnect us to our roots in sensus communis, educate us on our common personhood, and play an ethical role in our lives.
Preview: In general, the idea of a completely contemplative life, of a studious leisure whose pleasantness would be still further enhanced by the pure pleasure of the spiritual friendship, exerted on all of Antiquity a fascination which seemed to only increase at the end of the Roman Empire. One hundred years after Plotinus, Augustine too, before his conversion, would dream of a phalanstery of philosophers, where, in leisure and complete communal ownership of possessions, he and his friends could “flee the noise and annoyances of human life.”
In this essay, I explore Cassirer’s brief discussion of utopia in An Essay on Man, as likely built upon Kant’s theory of genius as from the Critique of Judgment. This exploration of Cassirer’s theory of utopia lays the groundwork to argue that a utopia is the dynamic product (work) of the “ethical genius,” a work that advances culture by luring it, via ideal imaginaries, to new realms of possibility for ethical advancement. Utopias have their dangers and limits, but nevertheless have a critical role to play in improving our ethical life.
In this essay, I defend philosophical wandering not only as an approach to doing philosophy, but also as an important force to incite critical reflection in cultural life. I argue that philosophical wanderers have an embodied, errant praxis, supporting wisdom whenever they engage with others. For these philosophers reflection is not given in a series of systematic assertions, nor through phenomenological description, nor analytic dissection. Rather, reflective life is the force that enhances the performative element of philosophy as an exercise in being obnoxious (as a Socratic gadfly) to bring people within a culture to particular kinds of critical awareness and action. I conclude by suggesting that this mode of philosophy has a correlate mode of truth, “incited reflectivism,” different from coherentism, foundationalism, warranted assertibility, and other theories that have been previously defended as the standard for “truth.”
Preview: /Review: David Fiordalis ed., Buddhist Spiritual Practices: Thinking with Pierre Hadot on Buddhism, Philosophy, and the Path (Berkeley, CA: Mangalam Press, 2018), 333 pages./ David Fiordalis’ collection Buddhist Spiritual Practices: Thinking with Pierre Hadot on Buddhism, Philosophy and the Path (hereafter BSP) represents an invaluable contribution in what promises to be a fruitful emerging research field. BSP was conceived by David Fiordalis and the late Luis Gómez, the then Academic Director at Mangalam Research Center for Buddhist Languages, following a dedicated conference on Hadot and the study of Buddhism in 2015 (BSP, ix). The volume builds upon groundbreaking work by scholars such as Matthew Kapstein, Georges Dreyfus, Patrick Ussher and Vincent Eltschinger (as well as several of its contributors) in exploring the implications the revolutionary metaphilosophical work of French philologist and philosopher Pierre Hadot for comparative philosophical approaches to Buddhist thought, and indeed for engagements with other nonwestern philosophical traditions.
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