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Kan poesien redde? Lyrikkens rolle hos Czesław Miłosz og i hans norske gjendiktning ved Paal Brekke

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Wilkus-Wyrwa A.
Folia Scandinavica Posnaniensia
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2016
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vol. 19
251-266
EN
The purpose of the paper is to compare the original verse by Czesław Miłosz and its translated version by Paal Brekke. To discuss the images of the poetry and the poet in Campo di Fiori and Tilegnelse the comparative translation theory is applied and the poets' literary background brought into focus. In the next step such issues as the translator's figure and his influence on the target text are addressed. The paper presents that Brekke's literary work alters Miłosz's original poetics.
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"Skazani na ciężkie norwidy”? Kilka uwag o kulturowych aspektach przekładu poezji Wisławy Szymborskiej na język norweski

100%
Wilkus-Wyrwa A.
Studia Scandinavica
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2019
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issue 3(23)
76-91
EN
The aim of this paper is to discuss selected cultural keywords in the Norwegian translation of Wisława Szymborska’s (1923–2012) poetry. Translators O.M. Selberg and Ch. Kjelstrup used multiple approaches, thanks to which Norwegian readers have a chance to get acquainted with typical Polish phenomena, although often at an expense of the original text. Since the kind of publishing itself – an anthology of translated poetry – indicates the place of Szymborska’s work in the foreign discourse, her published works in Norway, Sweden and Denmark, along with her reception in Norwegian discourse as a Nobel Prize winner, are discussed here as well.
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