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EN
The article focuses on the media transformation of literary works. B. Jasieński’s futurist poem Marsz, published in the interwar period in printed form, recently underwent a multimedia adaptation. The author analyzes the mutations the literary text underwent in interpretation and significance when expressed in the new creative forms of contemporary multimedia “language”. The analysis of the formal structure and of several, sometimes small semantic elements, shows the different way of understanding the poem as expressed through new multimedia means. The futurist poem Marsz has been read as an ironical poem, totally contradicting its original literal meaning. The second part of the article examines a digital version of the poem, which again changes its original meaning. At this moment in time, the relationship between the textuality and virtuality of poetry (and literature in general) constitutes the main space where art “happens” and manifests itself. Thus, the discussion over the digital version of Jasieński’s poem leads to some general considerations about contemporary theory of image and its anthropological expressions.
PL
Artykuł podejmuje problematykę teorii powieści w oparciu o rozwiązania artystyczne proponowane przez futurystów. Analizuje nowatorskie techniki prozatorskie artystów Nowej Sztuki, zderzając je z ówczesnymi i aktualnymi prądami filozoficznymi. Pokazuje, że proza B. Jasieńskiego, A. Wata, A. Sterna i innych futurystów jest wciąż ważnym doświadczeniem literackiej i literaturoznawczej samoświadomości.
EN
The article undertakes the problems of novel theory based on artistic solutions proposed by futurists. It analyzes the innovative prose techniques of Nowa Sztuka (New Arts) artists, clashing them with contemporary and current philosophical trends. It shows that the prose of B. Jasieński, A. Wat, A. Stern and other futurists is still an important experience of the literary and literature-scientific self-consciousness.
EN
The problem of shaping (in August Zamoyski’s definition) related to multimedia. The author of the article presents the project of August Zamojski, a Polish artist and theoretician of art, who created his own, very modern idea of artistic experience. This project was discussed in the context of mediumistics and in the confrontation with new tendencies within the theory of literature. It is the first so spacious interpretation of this project.
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