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This essay explores Conrad’s assessment of the moral state of Europe as well as post-Enlightenment European divisions, as reflected in the writer’s treatment of the theme of patriotism in his short story Prince Roman. The story’s unique, seemingly “un-Conradian” features are discussed in the context of the influence of Polish Romanticist ideas on Conrad. The motifs of unselfishness and sacrifice for a “greater cause” recurring in Prince Roman are shown as determinants of the quality of the protagonist’s moral choice.  
EN
This essay analyzes the interpretative situation of Razumov, the main hero of Conrad’s novel Under Western Eyes (1910). Challenged by a fellow student named Victor Haldin, Razumov must navigate through his internal experiences (past, present, and those anticipated by him in the future), as well as through external stimuli-which he has little experience to understand fully-in order to arrive at morally meaningful decisions. Communicative aspects of Razumov’s encounters, first with Haldin, then with his sister Natalie, are discussed in greater detail; particularly Razumov’s use of speech and silence, first to conceal but ultimately to reveal the truth.
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