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EN
In 1896, the first private village local history museum in Ukraine and Eastern was opened in the town of Horodok. Its founder and owner was the Ukrainian socio-political and cultural figure, diplomat, philanthropist Baron Theodor von Steinheil. A few years after its opening, the museum became an important center for studying of the traditional culture of the Ukrainian historical and cultural region – Volyn. This was achieved by inviting leading scientists of various fields to work in the museum, as well as by using the latest approaches in the work of the museum (for example, the use of a phonograph to collect exhibition material). Among such innovations, for the first time in Ukraine, was the holding in 1899 and 1900 of two complex ethnographic expeditions with the aim of a large-scale, multifaceted study of Volyn: its history, archeology, ethnography, folklore, flora, fauna, geology, etc. The study presents the list of the participants of the expeditions led by Theodor von Steinheil, traces the routes taken by the researchers, considers methodological groundwork in conducting complex field researches, analyzes the achievements and shortcomings of such expeditions taking into account the conclusions of Theodor von Steinheil himself, observes the further history of complex ethnographic expeditions in Ukraine.
EN
The article presents an overview of Ukrainian ethnomusicology in 1990–2020. This period is characterized by the comprehensive development of science mostly due to the obtaining of Ukrainian Independence. The study focuses on the main issues in many ethnomusicological directions. First of all, the attention is focused on the activity of the leading modern Ukrainian ethnomusicological scientific and scientific-pedagogical institutions as well as smaller regional centers. The most important directions of activities of these centers such as documentation of musical folklore (ethnographic and archival), ethnomusical pedagogy, conferences, publications etc. are also analyzed. In addition, scientific achievements in such important areas as theoretical and methodological, areal and typological, historical, ethnoorganological, ethnochoreological, source studies, etc. are considered. As a result, the article comprehensively presents the state of Ukrainian ethnomusicology today and outlines prospects for the future.
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