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Gregoriańskie śpiewy procesji palmowej po Soborze Watykańskim II oraz ich polskie odpowiedniki

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Bodzioch B.

Seminare. Poszukiwania naukowe

2014

vol. 35

issue 3

39-56

Scientific research on the Palm Sunday procession, specifically focusing on the characteristic chants used therein, began in Poland only in the 20th century. After the Second Vatican Council not only were there changes to the procession rite, but there were also far-reaching reductions in the former repertoire of chants. Polish church hymnals of the post-Council period are rather varied, de-pending on the hymnal editor’s vision. In the repertoire of ten hymnals researched and analyzed for this paper, only two chants can be found in common. Both are translations from Latin. Altogether, in the presented hymnal editions we find as many as twenty-four different chants. Polish editions contain many more chants than hymnals from other European countries.

Polskie pieśni nabożne w kancjonałach kościelnych oraz ich znaczenie w kształtowaniu współczesnego repertuaru liturgicznego

100%

Bodzioch B.

Musica Ecclesiastica

2015

issue 10

79-84

The term “church hymnal” is applied in the text in only one meaning, denoting a group of books with Cantionale ecclesiasticum in the title used during liturgical ceremonies in the lands of the Polish nation in the 19th and the first half of the 20th Century. The name “hymnal” (Polish “kancjonał”) is an abbreviated Polish version of the Latin title. Of note, Cantionale ecclesiasticum turned out to be a characteristic name, not found in any other European country. The author of the first edition of Cantionale ecclesiasticum, published in Warsaw, in 1822, was Rev. P. Rzymski (1784-1869). The most recent edition (by Rev. G. Mizgalski) is from 1954. The hymnals by Rev. J. Surzyński are considered the best. The repertoire of Cantionale ecclesiasticum consists of ca. 1000 Latin songs and ca. 160 Polish tunes. Among the latter, a few (for instance, Through your holy, in Polish: Przez Twoje święte) have functioned within specific elements of liturgical celebrations since the Middle Ages. This tradition was abandoned after the Second Vatican Council. In contemporary times, the employed hymnals only contain general church hymns. Indeed, the only proposal put forward of a hymnal referring to the ways of thinking typical for the past, and which is based on Graduale romanum (Sundays, celebrations and holidays have their own hymns sung only once a year), was that by Rev. S. Ziemiański (1966). However, the notion has gone unnoticed. After 50 years of liturgical experience, I consider it vital to return to the idea.

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1 Musica Ecclesiastica

1 Seminare. Poszukiwania naukowe

2 Bodzioch B.

1 2015

1 2014

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Gregoriańskie śpiewy procesji palmowej po Soborze Watykańskim II oraz ich polskie odpowiedniki

Polskie pieśni nabożne w kancjonałach kościelnych oraz ich znaczenie w kształtowaniu współczesnego repertuaru liturgicznego