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Poetyka jako chwyt

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Ślósarska J.
Tematy i Konteksty
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2013
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vol. 8
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issue 3
49-62
EN
The article refers to the discussion on the status of poetics, initiated by Dorota Korwin- -Piotrowska in her book titled Poetyka. Przewodnik po świecie tekstów (2011) (Poetics. A Guidebook to the World of Texts). It goes without saying that Poetics is currently an interdisciplinary field combining such areas as cultural anthropology, philosophy, gender studies, the history of ideas, sociology, linguistics, rhetoric, psychology, cognitive studies and semiotics. The author emphasises the problem of “dispute”, as well as “transversality” between – perceiving texts as subjects or objects; – the notion of a masterpiece and the notion of text (which implies suspending the category of aestethics); – literary and colloquial language; imagination and empiricism; – knowledge and experience; – knowledge about culture and knowledge in culture; – science and literature. Referring to the formalist notion of “device,” the author points to the contemporary attempts to combine various conceptual apparatuses and procedures as conceptual analytical and interpretative figures.
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"I odtąd wzgórze w krainie Moria stanie się oczekiwaniem" (O trzeciej części "Tryptyku rzymskiego" Jana Pawła II)

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Ślósarska J.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2008
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vol. 10
EN
Paper presents an analysis and interpretation of the chosen problems and thematic motives from the examined poem. Paper emphasises the problems - ontology of the dialog established within infra- and extratextual author- and readership, discourse with biblical tradition and prefiguration ° f religious ethos, mode of characterisation of the clue lexemes, and function of the narrative and lexical leaving unsaid as a means of transmitting the most important content. Within the scope ° f the motives - paper undertakes topic analysis of the places of events, figurative shapes of main heroes, and religious sacrifice. References to the chosen texts by John Paul II and to the papers devoted as far to Roman triptych establish a comparative context for presented considerations. Furthermore paper takes into account the contexts of Kierkegaard reflection that introduces existentialist discourse to the problematic of Abraham’s sacrifice, the later being taken into consideration by many contemporary researchers of biblical tradition.
3
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Zofia Zarębianka, Czytanie sacrum, ss. 318, Wyd. SPP, IW „Maximum”, Kraków–Rzym 2008

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Ślósarska J., Instytut Kultury Współczesnej U. Ł.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2010
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vol. 13
FR
Cette critique concerne la conception de la categorie sacrum, proposée par Z. Zarębianka. Elle contient une description des etudés, qui se suivent, publiées dans le livre ainsi que la concretization des idées fondamentales méthodologiques, axiologiques et anthropologiques.
4
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Aktualizacje antropologicznych struktur wyobraźni w wierszach Bolesława Leśmiana i Mirona Białoszewskiego

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Ślósarska J.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2003
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vol. 06
EN
Considerations are centred on the problem of actualisation of the anthropological structures of imagination within the chosen texts by B. Leśmian and M. Białoszewski. Theoretical point of departure is a statement by G. Durand, which concerns cultural manifestation of the fundamental pattern of experience consisting of the principles of disconnection (separation), of connection (unity), and of analogy. Those principles correspond lo two fields of the isotopies of archetypes, symbols, structures and attitudes that constitute ärchetypal images of day and night. In the course of examination, Durand’s theoretical assumptions are introduced as analytical procedure that reveals and explicates mechanisms of creation of the represented world in the poetry of Leśmian and Białoszewski. The mechanisms m question are based above all on establishing the principle of disconnection (separation), and compensational suspending of it; establishment and suspension consist in introducing the rePresentations of the unity and analogy principles into the structure of the represented world, according to the integral pattern of experiences. In Leśmian’s poetry, actualisation of atlthropological structures of imagination is performed above all by mediation of image and event; in poetry of Białoszewski - by mediation of linguistic morphodynamics within the scope syntactic and semantic operations that violate the rules of phrase and clause construction ln Polish. In conclusion remarks one finds reflections regarding relationship between poetical a°d philosophical representation of anthropological structures of imagination.
5
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Śpiący Orfeusz (kilka uwag o poemacie Czesława Miłosza "Orfeusz i Eurydyka")

100%
Ślósarska J.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2006
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vol. 08
EN
The paper presents an analysis and interpretation of the poem by Miłosz, which elaborate the contexts of literary history (Greek myth of Orpheus and Euridice, La Divina Commedia of Dante, Orpheus, Eurydike, Hermes of Rilke) and of literary theory (references to critical studies on Milosz and to the Bloom’s theory of historical process). Main thesis concerns the metaphysical ideas of Milosz’s poem interpreted in the perspective of the metaphysics of Lévinas.
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Idea wolności na miarę nadziei a ponowoczesne projekty i strategie kolonizacji przyszłości

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Ślósarska J.
Świat i Słowo
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2016
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vol. 14
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issue (1) 26
39-50
EN
The topic that I present is a dialogicality of hermeneutical interpretation of the attitude of hope and postmodern philosophy of “risk”, which is discursive to the principles of political theology. In particular, I compare the views of Paul Ricoeur, Anthon Giddens and Ulrich Beck. In this comparison, historically formed complexes of the idea of providence and the collective and individual trajectories of human fate are concentrated. Regardless of the analytical and interpretive contexts, the concept of hope, considered at the junction of theology, historiography and anthropology of culture, contains a fixed principle of anticipation of the good. This principle also permeates the rationalizations of “open thresholds of experience” formulated in the perspective of postmodern idea of “colonization of the future”, but if it loses its theological legitimacy, subject to sometimes extreme relativism. Exemplifying the category of “risk” in the context of the project of “colonization of the future”, I refer to the experience of Polish migrant artists residing in the UK and Ireland after 2004, who combine an attitude of hope and risk, as the basis of their existential strategy.
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