‘To save the home country from migrational distance… Lithuanian art and Lithuanian artists on emigration (1940-1990)’ (Moscow 2012) focuses on stressing the importance of the work under discussion. First and foremost, it should be pointed out that it is the first synthesis encompassing such an extensive subject, which has not thus far been examined. It is also emphasized in the review that the composition of the work as well as its abundance in content are worth noting (230 profiles of Lithuanian painters and graphic artists are presented). Additionally, we should appreciate the methodological values and the diligence of the author in research. On the other hand, the lack of illustrative material seems to be a drawback of the work. All in all, the work is highly assessed.
the article is a discussion – mainly from the editorial-programme side – of the history of the fourth mutation of the magazine published in London by a poetic group called “Continents”. in this outline goals set by the changing editorial board are indicated and the difficulties faced while realizing particular plans are discussed. apart from that changes in the thematic-content structure of the monthly issue have been presented as well as opinions and evaluations given by its readers and members of the editorial board have been cited.
The first part of the text is an analysis of the category of ‘Polishness’ (its senses, understanding and functioning) with respect to emigrational youth gathered around magazines published in the United Kingdom by Polish students, and then by the literary group The Continents (Kontynenty). We show that among the basic problems connected with The Continents Group one may mention the search for the ways in which national identity could be preserved and then passed on to future generations. The definition of what refugees were supposed to do was different if we compare young emigrants and the older generation (which was shaped and gained maturity before the Second World War). The young generation was open to dialogue, but wanted to redefine the common ideas and search for new paths and means which would be useful in preserving cultural identity. Significantly, both generations were in favour of preserving Polish language and culture. As discussed in the second part of the sketch, this was related to the category of patriotism, as well as back-to-front ‘Polish national vices’. In these areas one may observe disparities between the generations; disparities which come down to the opposition: rational assessment vs. mythologization. The former allows young emigrants, who have no complexes or sense of guilt, to take advantage of the opportunities created by the countries in which they settle, and still not lose their bonds with the nation.
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