Critical notes on: (1) Alain Badiou, Rhapsody for the Theatre, edited and introduced by Bruno Bosteels, translated by Bruno Bosteels with the assistance of Martin Puchner (London, New York: Verso, 2013), pp. 174; (2) Griselda Pollock, After-affects / After-images: Trauma and aesthetic transformation in the virtual feminist museum (Manchester: Manchester University Press, 2013), pp. 384.
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Noty krytyczne poświęcone następującym książkom: (1) Alain Badiou, Rhapsody for the Theatre, edited and introduced by Bruno Bosteels, translated by Bruno Bosteels with the assistance of Martin Puchner (London, New York: Verso, 2013), ss. 174; (2) Griselda Pollock, After-affects / After-images: Trauma and aesthetic transformation in the virtual feminist museum (Manchester: Manchester University Press, 2013), ss. 384.
Critical notes on books: Michał Kisiel's critical note on:Jacques Derrida, Cinders, przeł. Ned Lukacher, Minneapolis, London, University of Minnesota Press, 2014. Anna Maraś's critical note on: Marianne Hirsch, The Generation of Postmemory: Writing and Visual Culture After the Holocaust, New York: Columbia University Press, 2012.
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Noty o książkach zawierają krytyczną notę Michała Kisiela poświęconą książce Jacques'a Derridy, Cinders, przeł. Ned Lukacher, Minneapolis, London, University of Minnesota Press, 2014 oraz Anny Maraś poświęconą książceMarianne Hirsch, The Generation of Postmemory: Writing and Visual Culture After the Holocaust, New York: Columbia University Press, 2012.
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