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  1. 3 Pamiętnik Teatralny

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  1. 3 Wiśniewska M.

  2. 1 Tomaszewska E.

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  1. 3 2019

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W laboratorium Fausta

100%
Wiśniewska M.
Pamiętnik Teatralny
|
2019
|
issue 3-4(271-272)
234-258
EN
Access to the extensive archives of Jan Dorman has allowed us to see the long-term presence of the Faust theme in Dorman’s theatrical explorations and to study and describe his last production: Walpurgis Night based on Goethe’s Faust (The Animation Theater in Jelenia Góra, 1986), for the first time. The paper is an attempt to reconstruct this production on the basis of manuscripts and typescripts collected by the director in his archive and the reminiscences of people working in the theatre. The archives create an intriguing afterimage of Walprugis Night as a production with an autobiographical dimension, marked by Dorman’s legend and fascination with his methods of work, an aura of mysticism surrounding the production and the director’s sudden death, less than a month after the premiere. Having extracted Dorman’s Walpurgis Night from the archive warehouse we can add another leaf to the history of the reception of Faust in Polish theatre of the second half of the 20th century.
2
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Otwarte archiwum Dormana

100%
Wiśniewska M.
Pamiętnik Teatralny
|
2019
|
issue 3-4(271-272)
7-12
EN
Besides his art practice, Jan Dorman was creating an archive of his life and work, which is a comprehensive collection of various types of theatre and personal documentation. Like Tadeusz Kantor, he dreamed that the collected resources would continue to be used, entering the theatre and research circuit and thus creating a “living archive”. In 2016, Iwona Dowsilas, Dorman’s daughter and promoter of his archives, donated Jan Dorman’s collection to The Zbigniew Raszewski Theatre Institute in Warsaw, which contributed to a three-year project “Dorman. Open Archives” (2016–2019). It was based on the concept of performative archiving, in which archives cease to be a static collection, and can be set in motion and produce separate performances. The idea of performing archives was translated into a collaborative programme involving theoreticians and practitioners of the theatre, which resulted in the intersecting of four fields: issues of theatre documentation, history and theory of the theatre, theatre education and theatre practice. The current issue of Pamiętnik Teatralny is an outcome of annual research residencies (2018), which aimed to analyse selected areas of the previously unrecognized and little-known last decade of Dorman’s theatre practice (1977–1986).
3
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Kronika życia i twórczości Jana Dormana (1912–1986)

63%
Wiśniewska M., Tomaszewska E.
Pamiętnik Teatralny
|
2019
|
issue 3-4(271-272)
13-140
EN
Jan Dorman (b. Dębowa Góra, now Sosnowiec, 1912–d. Będzin, 1986) was a teacher, director, stage designer, author of texts for theatre, founder of the Experimental Child’s Theatre (ETD) in Sosnowiec (1945–1951) and The Children of Zagłębie’s Theatre (TDZ) in Będzin, which has been named after him (1951–1977), lecturer at the Faculty of Puppetry in Wrocław, Branch of the State Academic School of Theatre (PWST) in Krakow, now Stanisław Wyspiański Academy of Theatre Arts (1978–1986), promoter of culture in Będzin. His theatre practice situated itself between children’s theatre, young spectator’s theatre, puppet theatre, avant-garde art theatre and experiments close to the happening. Dorman’s performances were presented at many festivals internationally; the work of TDZ that he directed represented Poland at the International Exhibition of Stage Design in Amiens, France (1969). Dorman wrote and adapted texts for theatre, composed and selected music, designed the sets (along with his son, Jacek), initiated the “Herody” review of folk productions, maintained extensive contacts with Polish and foreign theatre communities, contributed regularly to theatre magazines (including Scena, Teatr Lalek, Teatr), and he published his book Children Playing at Theatre. Throughout his life, Dorman recorded his practice through meticulously produced archival documentation.
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