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(Не)Пересекая рубежи: читатель на пограничье смыслов

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Legeza S.
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
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2019
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vol. 1
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issue 1
109-121
EN
The article discusses the transformation of the Other’s concept in Post-Soviet popular culture, as well as the transformation of perception of “Self” and “Other” due to the emergence of real (state) and cultural borders and demarcations, which appear during the reader-text interaction. The paper explores such novels as M. Galina’s “Autochthony” and “The Little Glusha”, and V. Arenev’s “Gunpowder of the Dragon Bones”, to identify the types of the reader’s comprehension. The readers, in their turn, are divided into groups, which identify “Self” and “Other” in accordance with the division, represented in the novels. The author of the paper explores the version of the time gap (the comprehension of M. Galina’s “The Little Glusha”), as well as the different comprehension of the above-mentioned concepts by Russian and Ukrainian readers, regarding the social and cultural distances between these countries. The presented study explains the awareness of the Other’s concept, as well as recognition of Self, which is represented from the outside of the actual cultural tradition.
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