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EN
Transformations of the functional and spatial structure of the city are a process in which spontaneous phenomena may occur. Designers of urban space may draw inspiration from the spontaneous activity in the natural environment. In the city, which is considered man’s natural habitat, spontaneous actions of the users of space generate chaos, but also initiate a new order. By using a variety of spatial planning instruments, one may prevent the possible destructive consequences of spontaneity. In this regard, the principles of shaping urban spaces inside culture parks are of particular importance.
PL
Zaniedbane i zagrożone degradacją przestrzenie miejskie w wyniku realizacji projektów rewitalizacji zmieniają się w wymiarze kulturowym. W artykule przedstawiono problemy tworzenia oferty kulturowej przestrzeni rewitalizowanych opierając się na interpretacji pojęcia kultury jako uprawy – według najstarszego łacińskiego znaczenia tego pojęcia. Charakteryzując ofertę określono warunki wstępne, zidentyfikowano problemy skali zamierzeń i dylematów wyboru wartości. Odnawianie przestrzeni to specyficzna misja kulturowa, w której wymagana jest odpowiedzialna postawa wobec historii, a także nowych form aktywności społecznej i indywidualnej promowanych dzięki projektom rewitalizacji. Atrakcyjność oferty z punktu widzenia nowych wartości kulturowych udokumentowano opisami wybranych miejskich przestrzeni rewitalizowanych.
EN
Processes and phenomena occurring in urban development are an effect of attempts to adapt spatial forms to social (local communities) and individual (investors, owners and politicians) expectations. Revitalisation programmes involve a wide variety of space transformations. The range of values offered emerges as a result of proposed changes to the standards of use and to the appearance of technically, aesthetically and socially neglected locations. Cultural assets are especially threatened, which is why the new offer in this area is particularly noteworthy. The assessment of the assets of degraded spaces reveals problems of a functional, as well as a physiognomic and social nature, which poses a multi-task challenge for revitalisation programmes. A particular feature of the space revitalisation process is its cultural dimension. The cultural offer in urban revitalisation programmes is concerned not only with a new way of utilising space, but also with a change of its standards in many aspects, which manifests itself in, among other ways, attractive juxtapositions of old and contemporary forms, the aesthetics of material solutions and the rediscovery of historical assets. “Revived” structures and areas are locations that exert a particular influence on their surroundings, being noticeable due to their programme innovations and generating, as a result of modernised arrangement, an interest in the histories of their owners, patrons and users. Selected examples of designs and projects implemented are evidence of a special cultural mission being fulfilled. The balance of values that ma be obtained in revitalised spaces advocates cultural assets. The mutual relationship between the old and the new and proper placement of emphasis in using the potential of the existing in rastructure and environmental assets inculcate respect, humility and responsibility. They also teach culture in a particular way. Becoming familiar with urban revitalisation programmes provides ample material for reflection on the intended recipients, scope and extent of the influence of the cultural offer of spaces transformed.
EN
The article treats about a cultural landscape of the Nowy Dwór housing estate in Wrocław. Since its formation in 1938, the very estate has undergone deep topographic and ideologic changes: from the “racially elite” community at the time of national socialism, an “industrial colony” in socialism to the tower block it is nowadays. The aim of considerations on the past and present landscape of the housing estate is to understand the co-relations happening between people and the place of their inhabitance as a cultural phenomenon, and including it in a broader trend of cultural studies dealing with the places of memory, collective memory and cultural landscape.
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