The present paper attempts to categorize the different types of feminine characters who interact in one way or another with Silas Ruthyn. Emphasis will be placed upon the stylistic marks that appear in the Sheridan Le Fanu novel in which the mauvais sujet is dealt with.
The present paper focuses on the nature of women in Nathaniel Hawthorneâs work. There is an obviously divided way of thinking about gender here and we will try to highlight the extremes and the inbetween position, as far as the typology of feminine characters is concerned.
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