The aim of the article is to show conspiratorial thinking combined with technophobia. The author presents the similarities and relations between conspiracy theories and other narratives (present in popular culture), which emerged as the aftermath of the Cold War and apocalyptic fears. The article presents three options for the perception of the relation between technology and conspiracy theories: in the context of dystopian and utopian cultural texts, and in the context of space as no-place, in which there operates a community centered around conspiracy theories.
The main aim of the text is to discuss a conception of conspiracy theory as narration which draw a parallel with gossip and urban legend as far as its features and functions are concerned. The author chooses the example of the false flag operation which concerns September 11 attacks and describes it as a unique category of myth which legitimizes actions taken by – for instance – the ruling class. The author builds her conceptual frame on the Malinowski’s theory of myth and its function – she tries to prove that it can be still valid in contemporary anthropology.
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