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ES
Patricio Teixeira fue una voz importante en la música nacional, especialmente en las décadas de 1920 y 1930, y su carrera en la radio se extendió hasta mediados de la década de 1950. Su experiencia ha dado visibilidad a los sujetos negros y a sus identidades culturales. Este artículo analizará los elementos sagrados que se desbordan en el universo musical y lúdico de Río de Janeiro a través de algunas canciones grabadas por Teixeira. Con apropiaciones variadas, las grabaciones que cantan orixás, prácticas y rituales afrorreligiosos demarcan la presencia del afrobrasileño sagrado en el canto popular.
EN
Patricio Teixeira was an important voice in Brazilian music, particularly during the 1920s and 1930s. His career in radio broadcasting extended into the mid-1950s. Teixeira’s work gave visibility to black subjects and their cultural identities. This article analyzes the sacred elements that overflow into the musical and recreational universe of Rio through some of the songs recorded by Teixeira. With varied appropriations, these recordings of chants for orixá, Afro-Brazilian practices, and rituals mark the presence of the Afro-Brazilian sacred in Brazilian popular song.
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