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DZIWNE LOSY SCENICZNE SAMUELA ZBOROWSKIEGO

100%
Makaruk M.
Świat Tekstów. Rocznik Słupski
|
2017
|
issue 15
21-54
EN
The story of Samuel Zborowski’s produce, called “the strangest poem of Polish litera-ture”, is not easy to recapture. Until today there is an opinion, that Słowacki’s drama was only released several times. Many authors give the erroneous date of the premiere, the opinions about the individual realizations differ a lot. Sources from which you can reproduce the story of the staging are exceptionally imperfect. Most of the reviews con-cerning the theatrical reading of Samuel come from press releases or compilations or memoirs, written many years after the premiere. Not all of the directors’ specimen have survived, there are only three of sixteen. The purpose of this article is therefore not an objective reconstruction of history Samuel Zborowski’s scenic, but a story about what and how was reminiscent of it.
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Dwie «Zemsty» Bohdana Korzeniewskiego

100%
Makaruk M.
Pamiętnik Teatralny
|
2021
|
vol. 70
|
issue 1(277)
73-94
EN
This article discusses the history of Bohdan Korzeniewski’s work on Aleksander Fredro’s Revenge [Zemsta] at Teatr Polski in Warsaw from 1951 into 1952. When the theater director took over the management of Teatr Narodowy, rehearsals were halted. The author documents the traces of the unrealized production in order to juxtapose it with Korzeniewski’s 1953 staging of Revenge at Teatr Narodowy – not with the aim of reconstructing the former, but to investigate the latter and Korzeniowski’s approach to Fredro’s comedy. The perspective of cultural poetics (cultural history of theater) reveals Korzeniewski’s strategies and games, and, more generally, the functioning of Polish theater artists under Stalinism. Engaging with speculative history enables a nuanced look at Korzeniewski’s biography.
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