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EN
The aim of this article is an attempt to reconstruct the genesis and the essence of the ideal of education (Bildung) which determines the form of literary image of the Pedagogical Province enclosed in novel entitled Wilhelm Meister Wanderjahre, and then to extract the premises and indications that decides of modern character of Goethe’s view on education. In connection with that the first part of my paper is focused as well on the meaning of the term Bildung in Wilhelm Meister as on the main assumptions of the Goethe’s ideal of education. In the second part of this work I try to examine the structure and principles of Pedagogical Province considered as an utopian educational institution in Wilhelm Meister Wanderjahre. The conclusion was dedicated to the interpretation of main features of Goethe’s ideal Bildung treating them simultaneously as the characteristic features of the modern way of thinking on education.
PL
Artykuł ma na celu rekonstrukcję genezy i treści ideału edukacji (Bildung), determinującego literacki obraz Prowincji Pedagogicznej w powieści Lata wędrówki Wilhelma Meistra, oraz wydobycie tych jego przesłanek i wyznaczników, które decydują o nowoczesnym charakterze ujęcia Goethego, rzutując na współczesny sposób myślenia o edukacji. W związku z tym część pierwsza koncentruje się na znaczeniu terminu Bildung w Wilhelmie Meistrze oraz głównych założeniach Goetheańskiego ideału edukacji. W części drugiej zostają one zestawione ze strukturą i zasadami funkcjonowania Prowincji Pedagogicznej jako utopijnej instytucji wychowawczej, stanowiącej centralny punkt Lat wędrówki. Zakończenie zostało poświęcone interpretacji głównych rysów Goetheańskiego ideału Bildung w odniesieniu do swoistych cech nowoczesnego sposobu myślenia o edukacji.
EN
A category of secondary orality appeared in debate over the condition of contemporary culture by dint of Walter Jackson Ong’s research on influence of technology of word over an awareness of western man. Its concept designates a specific type of communicational situation, which is created by a twentieth-century ways of transmission of informations, like radio, television, telephone and another electronic voice-devices. In Ong’s works the perspective of secondary orality functions in context of the model of Greek culture, which preceded a beginning of the characterstic type of mentality, connected with the interiorization of script. The original oral awareness was dipped in world of mythical stories, which was created a cultural identity by dint of the acts of memorization and oral transmission of poetic experience. Analogies and differences between secondary and primary orality tease to ask about function and understanding the category of myth in perspective the first of them, which didn't appear in Ong’s works. A response to this question must connect with consideration of understanding the myth in contemporary reflection about the culture and with a search of symptoms of its presence in middle-class and consumerist societies, in which have appeared the technology of secondary orality. In my paper I'd like to try to recreate this elements of cultural background of contemporariness, which relate the age of twentieth-century orality to its ancient mythical grounding but equally indulge in transformations by dint of evolution of human condition in western culture
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